Edinburgh Fringe 2023

So, any highlights in 2023?

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January 2024, Edinburgh is a tad cold; not that it’s stopped my walks in Holyrood Park, if anything it’s spurred me on! Early mornings up on Nethers Hill in minus degrees temperatures, biting winds. Not quite early enough to see the sunrise but hopefully I’ll make it one of these mornings, that is, if the weather stays clear, hmmm. Early mornings aren’t really my forte any more, Wednesday morning was a real challenge as I wasn’t abed until nearly three. Yes, it was a Scat Rats Late at Binkies Tuesday (generally fortnightly), I needed my fix and the interweb is only showing one more Rats outing for January (another Whistlebinkies but, well, have they actually mentioned it to the lads?!)

I just couldn’t resist a little dig there – some calendars are more reliable than others. Having said that, looking back over 2023, I saw The Scat Rats nineteen times in Whistlebinkies so I can’t really complain (twelve times in Stramash). I’ve been contemplating my highlights of 2023, funny how it starts with, errrrm, what did I get up to? to, ooo that, and, aw that was great! Let’s face it, seeing Marah & Rough on stage is always a highlight for me – a shot of their sound, bliss. I still say a live recording would be awesome!!

The fine weather in April 2023 saw a particular highlight of my year performing in the sunshine on Waverley Bridge – Ol’Times an awesome rock band from Galway. With a sound very reminiscent of 70s rock and a wiry, charismatic frontman, these guys were an absolute blast! They played to a packed out Whistlebinkies twice, I even went through to Glasgow to see them too! August saw them back again briefly, back on Waverley Bridge, back in Binkies, and in Stramash too. Hmmm, so when the summer comes, will the boys be back in town again?!

Another highlight in April was the three days of glorious weather for my road trip up to Melvaig on the West Coast. The scenery was stunning and with great tunes on the stereo, so good! It was just a shame the weather took a turn while I was at Melvaig, the drive back down was as quick as I could make it.

Checking back, I saw 36 films in 2023, erm, two of the titles I have absolutely no recall of, yup, that memorable. Top two film highlights are definitely Renfield and Barbie. Is it just that I only saw Spirited last month or it might possibly class as a highlight? It was highly entertaining – ask me about it in June.

So what about Fringe 23 highlights four months down the line? Grubby Little Mitts splashing about in little paddling pools comes immediately to mind!! Finally entering The Dark Room presided over by the magnificent and shouty John Robertson. Two brilliant impeccable performances by the Voloz Collective in one day. Seeing Aidan Goatley do 10 Films With My Dad again (one of my all-time favourite Fringe shows). More memories are popping up as I think back, but I’ll stop with those that came to mind first or I’ll end up recounting half my Fringe!

Of course, the biggest highlight my year was getting my mitts on my favourite band’s debut album, that’s Heart-Shaped Jacuzzi by Logan’s Close, in case you weren’t aware. Oh, and all the various videos, top spot to Babestation, stylish and retro, hilarious with slapstick violence, big moustaches, green screen guy, there’s a lot to love in there! LC ended 2023 with a sell-out show at the Liquid Room, an epic way to end the year!

No more highlights spring to mind, adieu to 2023, good night to you, and may your god smile upon you in 2024 💛

I know my onions, yes I do

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Have you seen the price of onions lately? Okay, so I don’t pay much attention to the price of staples usually, but when a bag of three, yes, three is £1.10 in the local Tesco’s!! In a bag too (why?), I prefer to pick my own, especially at that price (bagged vegetables have a nasty habit of having the odd dodgy one, don’t you find?) No, I didn’t buy any onions there. And breathe.

I missed the anniversary of the first Bruce On The Fringe Fringe Awards yesterday. I say I missed, hmm, missed or procrastinated the entire day?! The double Fringe there was deliberate, by the way, in case of any non-Fringe Awards I choose to bestow in the future, you never know. If you follow me on Instagram or Facebook (and why not??) you may have noticed the latest pic on my storyline featuring flyers and cut-outs, and so, without further ado,

Mesdames et monsieurs, ceux entre et ceux au-delà, welcome to the Bruce on The Fringe Fringe Awards 2023!

Best Epic Fantasy Adventure: Shadow Kingdom

Best Double Feature: Voloz Collective with The Man Who and The Life Sporadic

The Pugwash Trophy: Max Norman: A Pirate’s Life For Me

As the Actress Said: to the Bishops

Best Flounce: Yippee Ki Yay

Best Bedcaps: Finlay and Joe: Past Our Bedtime

Best Blood and Gore: How to Eat a Bear

Best Game of Jenga (ever): Laser Kiwi: Rise of the Olive

Best Docucomedy: The Last Gun

Loveliest Fringe Thing: Mark Twain’s The Stolen White Elephant

Best Fringe Follow-up: Grubby Little Mitts: Hello, Hi

Most Beguiling Poster: Ginzel’s Little Cordoba: A Double Bill

Best Aidan on the Fringe: joint winners, Aidan Goatley and Aidan Sadler

Yes, maybe a couple pictured didn’t make the final cut but they were so so close. And what? No Best Musical Moment nominees this year?! Nope, my favourite, hands down winner will be on Instagram shortly. That’s it from me, and thank you to everyone who brought shows to Edinburgh this August, I may not be real, but for a few weeks there you made me feel alive ❤️

The circus has left town

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And that’s it all completely over for another year. Only the larger venues show any signs that something was going on for the past month. I took myself up into the Park today, blow the old Fringe away. I didn’t make it up there for the Comedy Extravaganza, it was just too windy (extremely), I could have been blown over to Fife! Oh, and the Miracle Glass Company were playing at the same time on the corner of the Mound and Princes Street, those two factors combined, well!?

As usual the southern hordes descended upon the town for their Bank Holiday weekend. I braved going to Stramash for the Cumbiatones on Saturday evening, ye gods, it was packed! I didn’t dare take to the dance floor, choosing instead to sway and watch the undulating mass from above (and the upstairs bar wasn’t half as busy).

Sunday evening saw me flaked out on my sofa, lack of self-care had finally caught up with me. A tad annoying as I had half a mind to see the Blueswater at the Jazz Bar at midnight; or the ACMS Awards night at Monkey Barrel 1 at 5 to midnight, they were so good last year! And they inspired me to come up with my own awards, which I fully intend to consider and debate with the voices in my head, more to come on that. Nope, I only stirred to put myself to bed, bah.

Ah, but tonight I get to neatly bookend this year’s Fringe as the Scat Rats are back at Whistlebinkies at midnight, as they were four weeks ago. I shall leave you with pics of Messrs Marah and Rough. Expect roundups and moose awards soon, toodle pip!

The Final Push

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At the start it stretches ahead, but now it’s shortening unseemingly quickly. Now it’s the beginning of the final weekend, hoards descend upon the town from Down South, party time! Then from the aftermath of Saturday night, everything just fizzles out. Sunday morning some shows and venues are already packing up. Still, one more blow out on Sunday night, hey? Before more packing up with sore heads Monday morning.

Monday the last remaining flyerers will scrabble around looking for the last punters, it can be quite tragic to witness! Those final few are probably very glad to depart what feels like a ghost town by Tuesday. Yes, I know it isn’t, dur, but for those few Fringe workers still around, all the Fringey places that were so full of life are now empty. Like I’ve said before, let’s end the Fringe on the Sunday, hey, the official start day has been brought forward over the years, so too can the end date.

Anyway, there’s flyering to be done and shows to see, a Half Price Hut to check. I’m not sure how much the HPH list gets updated this year, there may be some additions later on?! I notice that Mark Twain’s The Stolen White Elephant (5☆ from me) and How to Eat a Bear (4☆) are on there again.

Also on, I saw them the other night but haven’t got to writing a review, the utterly fabulous (and even more talented than I’d perceived them to be from our many chats) Aidan Sadler with their new show Melody, well worth 5☆. All their own songs too! Not on the HPH list yet, but it has appeared plenty, Yippee Ki Yay, I saw it yesterday, intrigued as it’s a different actor from last year and oh boy, so, so, so glad I went 5☆!

Oo, just glanced out of my window, it’s teeming down out there!! Jeepers! On the one hand flyering will be bloody soggy, on the other, folk will be more inclined to go indoors. This last week has been mostly sunshine with gentle warm breezes, folk wanted to make the most of it, not sit in stuffy dark rooms in the middle of the day.

Ah well, no rest for the wicked! I must have caffeine and away, but I’ll leave you with a quick list of shows that I’ve enjoyed this year, for your consideration this final weekend. I’ve scribbled it down quickly from looking at my Fringe schedule, so some may not be on any more.

Have a great day, whatever you’re doing, mes amis!

A gun, death and darkness

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What a day, rain, sun, rain, sun, make up your mind! Did another while of flyering; the similarities with carbooting keep popping into my head – big one, a nonchalant smile for all who gaze upon you and your wares (ie resting bitch face is not a good look). One chap made me laugh, he ran across the road when I caught his eye and waved my flyers in his direction, and no, he wasn’t running away, he came to me to take one!! Wonders will never cease. Anyways, on with three more reviews. I’ll go from light to dark I think, three very different shows, that’s the beauty of Fringe, there’s something for every taste!

So, silliness incorporated, The Last Gun starring, in many many roles, Will BF and a couple of sock puppets (what’s the Fringe without a sock puppet or two?). Right from the off when an audience member was urged to put a video in a video player (he was young, not sure he had much clue what he was doing!) the tone was set, daft, a tad retro, with audience participation.

The Last Gun was a film made in 1975, it sunk with barely a trace, never finding it’s audience, this show is a documentary looking back at “the garlic of films – very stinky”. The laughs come fast and frequently in all forms, impressive wordplay and sharp, funny dialogue, the characters in the talking heads documentary sections, visual gags (an easter egg, loved it!). The audience participation bits are excellent, there’s playdough and video-gaming (Will has written operating instructions on the back of his shirt to help the other player along), Will is equally quick and hilarious on and off script. The film is well realised, in fact I’d swear I got it out of Blockbusters in the late 80’s for one of my infamous movie marathons! ☆☆☆☆½

Next, with light and dark, Death Suits You is a musical black comedy where Death takes time out from his busy schedule to explain to us just how much time and effort he puts into each and every death (he’s been feeling very unappreciated). Death is wry and witty, he also has a damn fine set of vocals and great stage presence; live musical accompaniment adds to the drama of unfolding death scenes. Sam Hooper is excellent as Death, he really, err, brings him to life!? ☆☆☆☆

And now, the darkness, no, not the band, a stand-up from Vienna called Elias Werner. Ah, Vienna (come on, I’m not the only one!) I visited it twice briefly on my interrailling adventure, such a shame the film cartridge of my first visit was lost before I got home (so much retro going on in this post!), I even went on the Giant Ferris Wheel seen in that noir classic The Third Man. Is it a Viennese thing, noir?

Werner’s show is called Live, Deaf and Dark and yes, it is very dark, dark and intelligent; his delivery is dry with the occasional hint of a mischievous smile hiding below. This is his first time doing stand-up in the UK and at the Edinburgh Fringe (having come over in his van, Werner played a few shows on the way up to Edinburgh), so plenty of dark gems to mine there! Other topics he touches upon include family, dating online and his deafness, moving deftly between them with some neat callbacks (a loud guffaw escaped me at the schoolbag bit).

Many of his observations of life had heads nodding and some invoked a few sharp intakes of breath (from oo, that’s close to the bone, or, I can’t laugh at that, can I? It’s hard to tell). I know I generally go for the light quirky side of comedy but a little dark humour is a great palate cleanser, and it reminds us of our own dark sides, let’s them run free a while. There’s plenty to enjoy here before you step out again into the light, as he tells us, these are real stories – just not true ☆☆☆½

Time for my bed. G’night all!

Flyering, a moose eye view

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Fringe Flyerers have a hard job, they really do! Even if they do make an effort to connect, keep smiling, be gracious – that does not correlate at all to bums on seats! And all those variables to consider, maybe flyering closer or further away from the venue? How long before the start? Does that matter if the show is on every day? Does caring about these things make any different to the numbers? Probably not, unless no-one’s turned up to see the show for days, then the easy option would be to blame the flyerer (For what? Human fickleness?) fire them and get another one.

And where has this new found respect come from, Brucie? From trying my hoof at it the last couple of days, that’s where! Speaking to a fringe chum their show wasn’t getting many in, one possible solution was more flyering, but flyerers cost and they haven’t had enough bums to seats to pay for one, catch 22. As I have wondered just how good I would be at it, here was the perfect opportunity to help a friend and try something new, step out of my comfort zone. They couldn’t hand me a stack of flyers quick enough!

OMG!! It is so draining! Flyerers of the Fringe you have my sympathies, apart from the ones who don’t give a monkeys, though I can see that’s an easy coping option if you’re able to not give a shit (it’s not in my dna not to care). But, hey, it is fun work too (wouldn’t be in the rain, though, I dont think), of course, I’ve never minded being flyered unlike many who mump and grump about it, see Flyerers are our Friends from back in 2019.

《EDIT those late ten minutes flyering before the show starts – they’re kinda like the last ten minutes of a car boot sale. It’s nearly done, you’re knackered, others are already packing up, or even packed up and sitting waiting to go, but you want to keep going ’cause just maybe there’ll be another along any second. Yes, I’m that car booter packing up as others tear off home. Avoidance techniques deployed by passers-by can be funny, not quite so much after an hour or so; there’s intently staring at your phone, intently looking at something in the distance, suddenly realising how utter fascinating the pavement is, slowing so that you can then zoom past as the person in front is targeted. I would love to hear from flyerers about their best, worst, funniest experiences!》

So folks, if you’re visiting the Edinburgh Fringe, or any other Fringe around the world, please be kind to flyerers, connect, smile, be gracious when declining. You never know if that flyer will lead you to seeing something truly brilliant!

G’night!

An elephant, a bear and a little philosophy

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Is it just me or is this Fringe a tad quieter than last year? Oh, it is busy, but just nicely busy, transversing Royal Mile is actually quite easy! Okay, so there’s the usual blob of bodies standing watching a street performer, but apart from that it’s a doddle. Again there’s no craft stalls by St Giles, just a few sketch artists, shame, I liked them there; neither are there any on the Mound by the art galleries, nor on the recently reopened walkway to Playfair Steps (okay so that could be hard to negotiate at times, but it was fun and bustling).

In fact there’s not much at all going on by the galleries apart from a pop-up bar, like we needed another one! Why still no new Half Price Hut there? Really, no sponsors could be found, at all? Major publicity like that? This six o’clock closing at the Box Office is nonsense, and they’re charging booking fees too! Come on Edinburgh Fringe, as I said last year, it’s very little help to the later evening shows when folk can’t get to a box office in an evening to take up the deals on offer.

I did procure two HPH tickets yesterday, I’d had an eye out for them appearing on the list and yes, my Fringe-dar is in fine working order; two of my favourite venues too! Paradise in The Vault and Greenside @ Infirmary Street. First off Mark Twain’s The Stolen White Elephant was a joy, just one man telling a wonderfully funny absurd tale (supplanted from America to Salford and around the UK).

What a storyteller! He kept me captivated as he told us about Jumbo the white elephant from Siam, and Inspector Blunt’s attempts to catch the thieves. The language is so gloriously old-fashioned and hilarious, plenty harrumphing and tushing, and telegrams flying everywhere! Great incidental music too, it really added to the experience. Just one thing, a screen set up to show illustrations wasn’t working at the performance I saw, a shame but our storyteller was so eloquent my imagination easily filled in the blanks. A wonderful hour ☆☆☆☆☆

Luckily the rain had stopped when I stepped out of Paradise in The Vault, so I had a wander through up to Teviot Square to take in the fringeyness (again noting that it’s not so busy as I’ve known it), before heading to Infirmary Street. This venue is an old school, a proper old school building, go to a show there just to see it! I went to find out How to Eat a Bear or how not to, as two slackers Mark and Dave find out.

These two slackers have absolutely no redeeming features, they will never become better human beings, they are truly awful (think Bill & Ted but even worse). If you haven’t been put off by what I just wrote, if you like American slacker movies then this is the show for you, you will love it! It is very funny, sharp, dark in places (oh, the Bill Cosby joke!!) and it should be a good time in the evening for it’s intended audience (a shame there were as many working on the show as in the audience when I saw it). Yup, How to Eat a Bear is a lot of fun ☆☆☆☆

As I seem to be reviewing in threes, I’ll just throw the charming Alex Farrow in here. His new show Alex Farrow: Wisdom of the Crowd at Cabaret Voltaire is another hour of philosophical fun. This is the third year I’ve seen him, he just gets better and better; he’s engaging and interesting, I could quite happily listen to him for much longer! ☆☆☆☆☆

That’s your lot for now, I’m off out. Toodle pip!

Some salmon, sole and birdsong?!

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It’s a soggy day out there! After another very late night, I’ve just been pottering round the moose cave today. Tomorrow is a new week, a fresh start, my Fringe calendar is empty (except for the Arthur’s Seat Comedy Extravaganza on Saturday). My dining table is covered with flyers, cutout possibilities and scraps of scribbled notes, but before Fringe future, a few more bits of Fringe just past…

Yay, last night I saw the sublimely ridiculously funny Luke Rollason: Cheep Cheep. Only three shows this year and not in the printed version of the Fringe programme, it’s as well I follow him on Instagram or I’d have missed him. This show was a WIP, Work In Progress, so there’s always chance it’ll be back next year, or some semblance of it. In case it does return, here’s a few highlights, a fairy tale princess, loo roll, a bear hunt, more loo roll, Midas and his Comedy Gold touch; all beautifully crafted together into absurd silliness ☆☆☆☆☆

Friday morning I legged it up to 32 Below to see Daman Bamrah: Salmon Camera at 11 o’clock. Okay, so I was a wee bit late, but at that time in a morning, come on! The good thing about the Main Cellar at 32 Below is it’s just a thick curtain between the bar and the venue room (also a bad thing when the bar is busy and noisy), so even if a show has started it’s possible to peer in and suss where/if there are seats.

Daman very wisely begins his show chatting to the audience finding out bits about them, so latecomers like me don’t miss anything (and he can suss out any references to tie in). I know some folk will be slightly put off by this, have no fear, Daman is a lovely, affable chap and its quite a nice cosy atmosphere in that room (probably all the happy, joyful vibes still floating around from Accordion Ryan’s Pop Bangers the night before). Daman Bamrah: Salmon Camera is an upbeat personal show, a gentle way for anyone to start their Fringe day ☆☆☆½

Catching up on previously seen, I saw Lost Soles at Assembly Roxy, a must for anyone with a love of tapdancing. A one man show, a joy to watch a story unfold with such graceful ease and minimal effort. Personally, I would have liked a little more tap, but what there was, wow, phenomenal! Thank crikey it was in Central at the Roxy so everyone could see it all! ☆☆☆☆☆ for the tap, ☆☆☆½ the show overall.

The rain is currently taking a break, so I’m off oot. Toodle pip!

I got hugs today, yay

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Well, this has been a marvellous day so far, and in a bit I’ll be heading up to Stramash for The Buccaneers, yay. I was there last night for The Scat Rats and Mr Marah will be back there again Friday night at ten o’clock on Hurricane duty. Very exciting though, is tomorrow evening in Stramash as the Ol’Times are back in town for a few days!! Needless to say, I’ll be in there for seven, and the following evening the same time in Whistlebinkies and finally Binkies midnight on Saturday (you’ve gotta get it while you can).

This afternoon I bumped into two of the loveliest people on the Fringe, both of whom I had no idea were coming to Edinburgh this year until about 24 hours ago, and both called Aidan! First up Aidan Sadler looking fabulous as ever, flyering a last minute organised show at theSpace on the Mile. Then blow me, just a minute later, only Aidan Goatley! Back up, back on the Free Fringe with that brilliant show 10 Films With My Dad this time it’s the Director’s Cut! One of my favourite all-time Fringe shows, yes it’s that good, well, he is the loveliest man on the Fringe.

And on the subject of great shows, I don’t think I’ve mentioned how brilliant Laser Kiwi: Rise of the Olive is, bloody brilliant! Their acrobatic skills combined with spot-on comic timing make for a thrillingly hilarious show. You’ll never see Jenga played like this anywhere else! ☆☆☆☆☆

Bishops at Gilded Balloon Patter Hoose is another cracking show, Chris and Noah have very strange minds, indeed, but they sure know how to subvert expectations. Honestly, they had me half gasping, half laughing at some of their sketch endings. Oh, and I bet I wasn’t the only one to google a certain fruit after I’d left! ☆☆☆☆½

Time for some buccaneering, me hearties! Toodle pip!

What are the odds?

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… On being sat a few seats away from the same person at your first show of the day and then the last show you see?! No, I don’t know him but he was pretty distinctive, so definitely the the same chap. Well, you obviously have similar tastes, Bruce. Erm, the first was Max Norman: A Pirate’s Life For Me, a jolly silly romp, and the last was Fabulett 1933 on the life of a gay man in early 20th century Germany. A day of light and dark, my third show of the day was Tom GK: Chemodian, a lovely upbeat guy whose body is riddled with tumours, for the darkest of subjects it’s quite an upbeat show, oh, with plenty of dark humour ☆☆☆½

Back to Max Norman: A Pirate’s Life For Me a show for all the family. Max Norman has a sense of gleeful wonder about him, he has silly in spades with a creative, make-do attitude that almost seems quaintly old-fashioned (dare I say it, I was reminded of Brian Cant). If you have kids they’ll love it, if you don’t, then just take your own inner child and be pirates together! ☆☆☆☆½

Another odd coincidence in the last couple of days, two mentions of Cornish pirates. Max Norman mentioned Pirate Captain was Cornish, the old stereotype for a pirate (they do say aaarrr a lot); just the day before I know I was told the origin for the accent (by a man dressed as a Cornish pixie) in Tre, but I can’t for the life of me remember what it was, dammit. I gave this a bash as I have a soft spot for Cornwall, but well, I did quite enjoy it, it’s not bad, but… ummm. Tre is just on until Saturday 12th, interesting Cornish facts in there.

Fabulett 1933 was excellent. Felix is the emcee at Fabulett, a cabaret club in Berlin, it’s February 1933, the club is about to be closed down by government order. Throughout the performance there’s reminders that the clock is ticking down, Felix uses the hour to recount his life from childhood, conscription to fight on the Western Front, to Berlin. Much of his story is told in song (accompanied by pianist, Hans), well naturally, we’re in a cabaret club! The music perfectly sets the scene, the singing spot on, the story fascinating and powerful ☆☆☆☆☆

I was actually in the same room an hour and a half before, I did mention last post that Monday was my Underbelly day. The two shows before those two were through the same outer door, two venue rooms next to each other – a warning for Clover and Daisy goers, make sure you’re queuing for the right show! And Clover people, unless you have a long body and upper half, best be in the queue early or almost last. If you’re three or more rows back good luck seeing what’s happening, but the back two rows are on higher seats so you can see really well there (I will having a full-blown rant about seating in a post very soon!).

Did you read my last post? To write or not write about shows I haven’t enjoyed so much, that is my predicament. Especially I feel that stand-up comedy is such a personal vibe, not getting a stand-up doesn’t mean they’re rubbish (or maybe they are!). So, I’m not really on the same vibe as Tom Lawrinson but he did go down very well with the crowd. I did laugh plenty, you know that hyena laugh, when you’re joining in with the pack and part of your brain is thinking “yes, I can see the amusement value of what was just said, but I’m not half as amused as this sound I’m making would imply”. I certainly didn’t walk out thinking I’d wasted an hour of my life, but neither will I probably go see him again.

Well, I’ve waffled quite enough for one post. Yes, I still haven’t gone back and completed my previous reviews I know, but the sun is shining out there! I will just mention the other show from yesterday (just to complete the set). Finlay and Joe: Past Our Bedtime was so much fun! The second show of my day opened and finished with a song with lots of silly inbetween. Now, these guys are on my wavelength, inventive, bonkers, with an occasional slight hint of whimsy ☆☆☆☆ I can’t believe I didn’t figure out the author’s name! I realised there was a joke in there but I couldn’t see it, bah.

Now where are my sunglasses? Toodle pip!