John-Luke Roberts

Can’t believe it’s that time already

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The end is nigh! Well, another twenty four hours of fizzle out. Tonight I’m off to the final ACMS though whether I’ll last until the end is debatable. I’m kinda shattered, physically and spiritually, and I haven’t written anything since Thursday.

Oh, The Elvis Dead was bloody brilliant! Plenty turned out to see it (pretty please, can we have a performance every Fringe?) and had a whale of a time. Kemp’s voice is much more suited to singing like Elvis than the Fab Four.

And I caught the final Beatlesjuice last night, so glad I bought a ticket in advance (it was a PWYC) the room was packed out (I spotted John-Luke Roberts was there). Rob Kemp‘s lyrics are so good and it’s as funny whether there’s a lamer line to fit in or an absolute gem. I look forward to how Beatlesjuice will look next year, but I’ve loved seeing these early ramshackle performances, what utter pleasure!! 💛

I’d just seen John-Luke Roberts: WIP that morning in the Monkey Barrel, another very busy show; really the man is so naturally hilarious, no one who’s seen him before would be put off by those initials W.I.P. it’s all a joy. No doubt he’ll show up at some point this evening at the ACMS.

Oo, maybe John Robertson will make an appearance tonight too! I saw him yesterday too, Playing with the Audience in the Counting House, manically gleeful as ever. It seems like having reached another of life’s milestones, he’s determined to show that he can still throw his body about and do dumb things – like climbing up onto narrow ledges, high ledges, next year it’ll be one of the chandeliers!! The picture – I know I’ve remarked how some Fringe stages are too low for anyone past the first couple of rows, but that’s a bit ridiculous!

Spot my little joke here? That’s what I thought it said on glancing through the Fringe programme without my reading glasses on! Couldn’t resist! An excellent show, Alex Berr was very engaging as she told us how she came to work in science and with mice in order to cure cancer, only to find out later her mother had the same cancer that she’d been working on. Berr balanced sombre subjects with great humour, kinda matter-of-fact but with a quirkiness.

Oops, must dash. Toodle pip!

A few definite possibilities

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I remember back when the Edinburgh Festival Fringe programme would come out, early to mid June and folk would rush to get a copy to scour through it picking out their must-sees, ready for when the box office opened about a week later. It was all quite exciting, the anticipation. Nowadays tickets are woozily released from the start of the year, okay so I may take the odd peek, but I still wait on the proper physical paper programme to book tickets (okay, so there’s been the odd rare occasion), I prefer to see everything that’s on before I start to plan.

Only now, there’s also plenty of shows announced after the programme is out. Has it always like this but I just wasn’t aware? Okay, so there was always the odd one here and there (the Sleeping Trees and The Chocolate Factory comes to mind, it was a known late add-on to watch out for!), usually they were free or late night shows, probably thought up over a few drinks and cobbled together! Back in 2007 Rhys Darby was over performing in a play, next thing he’d got a slot in the Pleasance Courtyard Attic and photocopied some handwritten flyers, it wasn’t his best but we didn’t care, it was great seeing him do his thing.

These days, of course, there’s social media to keep an eye on for late announcements, like Lord Christian Brighty‘s of a three night run at the Pleasance Courtyard, yay. There’s always an odd extra show or two that’s not in the paper programme at Monkey Barrel Comedy but I know to actually read their emails just in case; and huzzah, John-Luke Roberts is back in the final week with a WIP.

And extra joys, Aidan Pittman and Hudson Hughes, the co-creators of the bloody brilliant Dr Dolittle Kills a Man (one of my top favourites of last year’s Fringe) are back doing various bits and bobs as part of PBH’s Free Fringe in the middle week. Quick edit here: well, he did announce it late! Will BF is bringing back his sci-fi romp Moon Team IIIV to a late slot at the Underbelly, starting on Tuesday 12th. Considering how many changes he made to it within a month last year, it could be an entirely different show by now! Still bonkers and laugh out loud daft, of course.

But there’s always the odd show in the Fringe programme that doesn’t happen, and sadly it’s not happening for Crybabies: The Scaring, they’ve had to cancel their run due to an unforeseen health issue (wishing a full recovery for whoever it is). However, I just saw on Instagram a couple of days ago that Crybabies have a series of four one-off comedy adventures coming to Radio 4 through August! Excellent news!

Well, it’s very late, way past time I should be asleep. I shall leave you with a picture of my cut-out Comedy possibles. G’night!

How to cook scallops and other news

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Hi peeps! It’s the first full weekend in June, so that means it’s Meadows Festival time, but this year I’m going leave off going until tomorrow. There’s heavy downpours out there, you know, already been caught in two just going to the Farmers Market, thank heavens for my oversized brolly! When I’ve finished this I’m going to pop along to Whistlebinkies where Jed Potts and Nicole Smit will be starting the afternoon set soon. There’s lots of music going on down in Leith for the Leith Jazz & Blues Festival this weekend; indeed, the Scat Rats are playing some place called The Volley at four o’clock today and tomorrow (I have no idea where it is, besides in Leith), I may pop down tomorrow, make that, most likely will pop along.

If I’d just gotten up when I first woke, around nine, I could have been home before the first deluge, but, well. So glad to get some eggs (never buy them from supermarkets these days), also some chicken thighs and honey from Brewsters, then across to Annanwater to see what they had left, oo, cutlets (exquisitely tasty) and two small frozen packs of liver (very handy as one pack is perfect for a solo meal, and it will defrost very quickly in a bowl of water). A chap behind me asked if I was queuing for a mutton pie like himself (they are exceedingly popular), oh no, I was holding off for scallops from Creelers for my lunch; as so often happens, that prompted a follow-up question of how I cook them, in butter first, then add a slosh of dry white wine, a little salt and black pepper, some frozen chopped parsley, finally double cream. Bloody marvellous if I do say so myself!

Oh, and a slice of bread of butter with a glass of the wine. He said he’d be round at twelve! Haha. Scallops in bag, last port of call was Thistle and Churn for another fine ice cream, this week’s was a Clootie Dumpling, with some actual clootie dumpling as part of the garnish!

I think partly the reason why I’m not fussed about getting to the Meadows Festival is that I’ve already had a big flea market fix just last week in Brussels, oh my god, it was so wonderful to gaze on it all! If you enjoy a good rummage and you’re ever in Brussels, head to Place du Jeu de Balle, and of course, being away means you can’t actually buy that ridiculous wotsit, ’cause how would you get it home?!

Yes, that is a pogo stick! ~~~~~ Some might call it junk ~~~~~~ I was tempted!

Similarly, I feel like my Fringe started early this year, not only did I treat myself to seeing Grubby Little Mitts performing Eyes Closed, Mouths Open when I was in London, but back four weeks ago I went to see John-Luke Roberts: It Is Better + Best Of at the Monkey Barrel. Honestly, I’m not quite sure what month it is, Meadows Fair, so it’s June. Yes, I have picked up copies of the Fringe programme, yes, I’ve done an extra quick sweep of comedy and theatre, and yes, I’ve bought my first eight tickets! I’m somewhat disgruntled that the box office has now upped the maximum booking fees for one purchase from £5 to £7.50, grrrr (yes, I know it’s not much to quibble over but it irks me). My purchases? A few previews, the new one from Batisfera, thought I should get in quick as Luke Rollason is only doing a few dates, and a ticket for Troy Hawke who is usually rather expensive but yay, he’s doing a WIP this year (been loving his stuff on Instagram).

More later, right now, there’s two rather talented musicians making sweet sounds, that I need to see. Toodle oo!

A few cuts of comedy…

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Just time for a quick one!! I have a date at eight with Ryan Reynolds and Hugh Jackman. A few notes on Comedy, methinks. The wonderful Will BF is back with two shows, The Last Gun (last year’s show) and Moon Team IIIV. I’m looking forward to seeing both, yes, both, The Last Gun was very entertaining!

Also back are Crizards, just not together, they’ve gone solo. Eddy Hare: This One’s On Me is on at the Pleasance Courtyard, so a tad pricey! While Will Rowland: Masterpiece in Progress is on at the Banshee Labyrinth, part of the Free Fringe. Interesting choices. I’m interested to see what they each bring, will I prefer one over the other?

For years Gamarjobat entertained Edinburgh Fringe-goers, first just on the streets then also with proper shows. Mime is often the butt of jokes, but Gamarjobat a double mime act from Japan were brilliant; this year just one half is back with Ketch Sketch. Hmmm, I’m not sure if one mime can create the magic that the two had together, we’ll see.

And last but definitely not the least, John-Luke Roberts is back with not one but ten different shows; a retrospective of his solo shows, if you will. I’ve seen five, do I pick one I haven’t seen before or re-visit one that I have? Hmm.

Amused mooses, ACMSs and now the Brucies

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It’s late, I’ve been medicating my sore throat with strong dry cider, I think it’s working, or?! Anyhoo, Mesdames et Monsieurs, Welcome to the Bruce On The Fringe Fringe Awards 2022! These winners have been picked from 52 shows (not counting return views); there’s been some stiff competition this year – so I took a leaf out of the ACMS’s approach and made up awards to fit.

Best Zomcom: Apocalypse Kernow

Best Pomelo: Palimpsest

Best Sci-fi: Space Hippo

I’m still pondering Best Musical Moment, first nomination is the Miracle Glass Company performing Look At You Now (it was mighty fine)

Best Use of a Red Hat: The Man Who Thought He Knew Too Much

Most Macabre: Famous Puppet Death Scenes

Smartest Suited: The Flop – A Band of Idiots

Second nomination for Best Musical Moment is Blueswater performing The Wizard (epic)

Best Creepy Mouse Costume: Neil Frost – Nan’s House Of Fun

Best Hans Gruber Impression: Yippee Ki Yay

Most Tenacious: Aidan Goatley

Third nomination for Best Musical Moment is Nicole Smit for every moment she’s onstage

Most August: Thom Tuck

Best Kitchen Utensils: Steve and Shirley Sieve

Best Washing Machine Operator: John-Luke Roberts

Fourth nomination for Best Musical Moment is Accordion Ryan’s ability to go so low

Most Absurd Bird Impressionist: Luke Rollason

Best Avian Messenger Trainer: Christian Brighty

Best Furniture Movers: Grubby Little Mitts

Fifth nomination for Best Musical Moment is Carl Marah not falling off his stool in Binkies

Sweetest Fringe Thing: Accordion Ryan

Sexiest Fringe Thing: Rob Kemp

Silliest Fringe Thing: Crybabies – Bagbeard

And that’s it for this year. Pardon? Who won Best Musical Moment? I’m gonna take another leaf off ACMS’s tree and not bother declaring a winner.

Toodle pip!

this year’s Bruce On The Fringe Fringe award winners

It’s started, cue the drizzle

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Yes, it’s Preview Wednesday and right on cue the sky is completely grey and a gentle drizzle is alternating with a fine mizzle (the wetness just hangs in the air more with a mizzle, drizzle goes downwards). As this is a Brave New fringe my old habits are being reassessed for compatibility. For instance, I haven’t left Shakespeare For Breakfast til later, first morning in, bang! Seen. Actually it was more like Shakespeare For Brunch, this year they’re putting on a second performance each morning at 11:15 – rather good for folk who could never be up and at a venue by 10:00. Different venue again this year, an old favourite of mine, Roman Eagle Lodge or as it’s proper title C Aquila.

Ah, back queuing up those stairs to the very top room, but what’s this? The croissants weren’t just left on the seats, they were by the coffee (or tea or orange juice) at the entrance! While I applaud this change, no more wasted croissants, it does mean I don’t get to grab a few left ones as I’m leaving. How was the show? Very different to previous SfB productions, first and most obvious there’s only three players, one of whom is definitely much older than the usual demographic (not that there’s anything wrong with that, he’s probably younger than me actually); I don’t think I’ll be the only regular who’ll be like, oh, ok, not the same vibe. But it is cheesy in parts, some good groans, some not so good groans, great opening song, the usual bit of audience anticipation (just the one bit for one audience member).

This year’s breakfast dish is The Winter’s Tale, they asked the audience if anyone knew it, erm, I did it at A-level but remember only a smidgen, wasn’t about to admit to it. Oh, exit, pursued by a bear, I remember that, of course! Actually, once the story got underway a lot of it did come back to me but I couldn’t seem to recall Leontes hiring a private detective to look for his daughter, hmmm. Yes, Shakespeare with added film noir, oh and a ukulele (yay! There was a guitar played too in the play but ukuleles are way cooler). Not the best SfB production I’ve seen but it ranks pretty high, and bear in mind that was the first day. I’ll give it just a smidgen off four stars.

That wasn’t actually my first Fringe show this year, I saw that yesterday. Monkey Barrel Comedy decided to start a few previews early, it was a fairly easy choice to pop my Fringe22 cherry with John-Luke Roberts: A World Just Like Our Own, But…. He did not disappoint! On stage with just a washing machine with an old slimline corded phone in the powder tray, he told us about so many worlds like our own but for one thing, there were an awful lot of them, of course I remember it was very, very funny but few actual details. Two that really stuck with me were a world where corpses are buried feet first, so that if there’s a zombie outbreak it would like a game of Zombie Whac-A-Mole as they rose up; the other involved a cat and little red laser dots, I’ll say no more on that one.

The phone was there to enable other John-Luke Roberts from other worlds to phone him, he’d ask them about their worlds and whether they were happy. There is a reason for the washing machine but you’ll have to see the show to find that out, it is integral to the arc as JLR slowly reveals more, silliness and absurdity mix with pathos and profundity. I love this man that he can make me weep tears of laughter and recognition. A definite ☆☆☆☆☆

I’ve actually just finished this post off much later in the day as I had to shoot off to see another show. It was Fritz and Matlock in the Attic at the Pleasance Courtyard, more details next time; just mentioning it because I saw it purely by luck. Coming out of Shakespeare For Breakfast I debated whether to head home via the Royal Mile or the longer way by Teviot Square, the long way I decided. I fell into conversation with a girl with a small inflatable cow in her bag (as you would), of course it was to do with a show, would I like a free ticket? I wasn’t entirely sure it would fit into the day’s schedule but I took it, and phew it did, quite nicely in fact.

More from me about today tomorrow, I’m not too sure how or when as I have five shows lined up. I’ll probably put the odd pic up on Instagram and Facebook (Bruce T Moose). I’ll leave you with an old pic inside Roman Eagle Lodge, and yes the old stair lift is still there. Toodle pip!

Stannah Stair Lift to heaven?!

So 2021, any highlights?!

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Oh 2021, we started the year thinking we might get past Covid and all the restrictions, ha, here we are a year later! After all the lockdowns of 2020, more of the same just made 2021 drag. This time round it just got boring, lethargy set in, no point trying to look forward to anything as it would most likely be cancelled, at best postponed indefinitely. So, were there any highlights? Hmmm.

Highlight numero uno, the snow in January and February, all from the east, so lovely powdery stuff, snowmen everywhere, sledges, snowboards, even skiing in Holyrood Park! Yes, decent snow in Edinburgh, again! Okay, so slippy as hell, but beautifully scary is better than greyly dull.

Highlight number two, finally being able to head down to see family in May. It felt so different to other journeys home, and so nice to see faces right in front of me and not on a screen. And hugs!

Numéro trois, cinemas re-opening, yay. I like seeing movies on the big screen. Oh what? Pubs were re-opening too? Sorry, not a highlight for me – too many constraints, the new normal; being able to go back to the cinema was way better to me. Tied for my top cinematic highlight of 2021 are Free Guy and Last Night In Soho both brilliant in very different ways.

Nummer vier, enjoying the beautiful summer weather at Portobello beach. After spending so much time in solitude in Holyrood Park, it was great to be among people on the beach, and so many nationalities, it felt quite cosmopolitan. Oh, I love the wildness and nooks and crannies of the Park but sometimes I do need company, to hear voices and laughter, a sunny day at the beach ticks those boxes.

Numero viisi, it had to be there, the Edinburgh Fringe Festival 2021. Okay, so it started real slow and I was dubious how good it would be, how many actual live In Person shows there would be, but as it progressed more acts came up (as the line from Field of Dreams says “If you build it, they will come”). Every few days more shows would be announced, more venues opened up, more seats became available at previously sold out shows because of the restrictions being eased; it was exciting and unpredictable, regular checks for updates were vital (I have no idea how the Online version went, I was done with screen-watching). The lack of the Half Price Hut meant I had to adjust my sights to fit my budget, Pay What You Can and Free Fringe shows featured a lot for me.

The Monkey Barrel Comedy Club was a highlight hosting weird and wonderful comedy; including John-Luke Roberts, Rob Kemp and two thirds of the Privates, all of my Fringe highlights! Oh, except one, the only show I saw at the Pleasance Courtyard, Tim Fitzhigham: Here Now. Tim’s always entertaining but he really was on top form for this one show in the Cabaret Bar, almost manic with glee at sharing his stories with a live audience.

August saw highlight numer pięć – live music back again! A band had started playing almost every day on Waverley Bridge, like, why not? It was good weather in general, the road was closed to traffic, plenty of room for people to pass by while others hung around and watched (generally safely distancing). All this fringing and good music got me itching for more, Stramash was open again with bands playing, I had to go along; and who was playing my first time back? The band from Waverley Bridge (aka The Kennedy’s Project), oh joys! They were such fun.

The autumn months of 2021 were as good as any time I can ever remember for seeing great live music: the Voodoo Rooms (especially The Courettes ❤); Stramash, of course; I became reacquainted with Whistlebinkies (I’m not sure why I didn’t go there for years!?); and, a particular highlight for 2021, Fur at Sneaky Pete’s! Yay! I’ve discovered the likes of Jed Potts and Willie Dug these last few months, it’s like a new vista laid before me; there’s been old friends in new guises, The Scat Rats, aka Scott Rough and Carl Marah from Logan’s Close, playing covers with a few of their own songs thrown in (bloody marvellous as per usual).

Sadly, what promised to be the highlight of the year, Logan’s Close Presents … A Christmas Pudding had to be postponed because of the latest covid variant. Mind, even without that shindig Logan’s Close take the top highlight of 2021 spot with the wonderful Logan’s Close on LimbicTV (Live from Aluhpasonics) back on the 27th March 2021; still available to watch on YouTube and I think there’s still a way to donate if you feel inclined to show your appreciation. I could wax lyrical about how great it was, or I could attempt a pingback to the post I wrote at the time So Close so fine, let’s see, by George, I think I did it! Hopefully if you click on the highlighted post title it should open up in a new tab [EDIT If it doesn’t open, try twice more, it may need coaxing], I hope (or you could scroll right to the bottom of this page and do a search for it).

If you do read about why this live music session takes the prize for 2021, you’ll notice my pleas for the audio recordings, well…….. I’ll tell you later.

Toodle pip, and may your god smile upon you in 2022 💛

It’s hot in the city!

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To quote Billy Idol, it’s hot in the city tonight, one more day of gloriousness, then, here comes the rain again, along with cooler temperatures. Will it improve again by the start of the Fringe? Hope so, I fully intend to start my Fringe atop Arthur’s Seat watching Barry Ferns – as long as it’s not wet. It’s been so nice for so long now, and with restrictions on holidays to hotter climes chopping and changing so much, Portobello beach hasn’t been this busy in years; the eateries along the Prom are doing excellent business.

I’ve been noticing on my walks in the Park that it looks like being a bumper year for cherries, yay. This evening as I walked off my tea I realised the somewhat screechy birds way up high were swifts; I knew that they were around at that time of the evening but I’ve never heard them like that before. There were quite a number of them having fun swooping around, chasing each other. A good excuse for me to pause awhile and just enjoy the spectacle overhead.

My tea? A lamb hotpot pie courtesy of Brewsters along with lots of steamed broccoli and carrots. Brewsters pies are very nice, they started doing chicken pies and now there’s occasionally lamb hotpot, steak and ale or steak and kidney, all very tasty with perfect pastry and no scrimping on the meat content. Tonight I washed it down with a bottle of ginger beer, also bought at the Farmer’s Market. Slim Hat are a new venture by a young couple living in the Old Town, this truly is a local product! It is as the label says, an authentic ginger beer, with a good kick to it, I wish them well.

Alas, anyone thinking of buying some at the Farmer’s Market to take into a show at MultiStory will be disappointed as there’ll be strict rules in place that no food or drink may be taken on to the site. This did make me wonder when I read it, as many carry water bottles round with them during the Fringe usually – will these too be banned? Seems harsh. Not that it will probably bother me as I most likely won’t be in there, being a solo Fringer (see my last post), nor am I likely to be seeing any shows at the Gilded Balloon this year as the same silly two or four bubble policy is in place. Mind, I’m not that bother at the moment as a cursory glance over their shows so far didn’t turn up anything I fancied.

I do hope the other venues don’t have similar policies, I would like to see some real live shows! Oo, I do have one show booked! It’s not actually through the Fringe website, but, as it’s John-Luke Roberts at the Monkey Barrel Comedy Club in August I’m counting it as Fringe. I have done some perusing of the Fringe programme online but it really isn’t as enjoyable as going through a physical paper one. I do hope they go back to a physical programme next year, it’s much more agreeable and I get to keep a copy as souvenir and reference book.

Well, it’s very late now, so I should be toddling off to my bed. I shall leave you with another selection of recent photos, enjoy!

There’s gonna be a lot of cinnabar moths later! All the ragwort in the Park seemed to be crawling with cinnabar moth caterpillars a few days ago.
Sunset captured on a gallivant along the East Lothian coast.
Okay, so I may have tinkered with this a bit! I had The Twilight Zone by Rush going through my head at the time.

A noble failure!

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Woohoo! I actually saw a Fringe show tonight! Yay! And it was at a very respectable half past seven in the evening unlike it’s real Fringe time of midnight (in Monkey Barrel One). What was this wondrous happening? I hear you cry. Why, it was The Alternative Comedy Memorial Society and when the name says Alternative it means Alternative (yes, with a capital A), oh, and quite Absurd too.

It may not have been late on, but it was as live as current circumstances allow and it kept it’s usual running time of two and three quarter hours (at least that’s if it doesn’t run over). Our hosts John-Luke Roberts and Thom Tuck were on fine form; well, John-Luke’s lockdown look is a bit Charlie Manson and Thom’s gone weirdly blond, but they’re fine. Or noble failures, I should say.

The Alternative Comedy Memorial Society is as Fringey as it gets, I’m glad I spotted it was on and booked a ticket (now it almost feels like August). So, I had to watch it on my tablet, but I had the sound on through my bluetooth speaker to keep listening as I finished sorting my tea out (lasagne with a side of broccoli). There were thirteen acts to get through so it all fair cracked along.

Stand outs for me were Deborah Frances-White, Joz Norris, Johnny & The Baptists and Colt Cobana. Okay, so Colt was just chatting but that’s fine by me, the man has a most charming voice and manner! I’ve never actually seen Johnny & The Baptists before but I would see them again, much fun. Ah, Joz Norris, an odd individual, but sweetly bonkers, I think he might actually be a selkie. Deborah Frances-White had us play a fun little game of “1932 or C Venue show”; was it a 1932 news story or the plot of a show that appeared in a C Venue? Some of the news stories were so bizarre it was tricky to call, but I reckon I got more right than wrong.

A most entertaining evening, only slightly spoilt by a glimpse of Messrs Cruise and Pitt in Interview With The Vampire, oh, the horror. Luckily Buffy was soon starting over on E4. They’ve now got to when Buffy intertwines with the first series of Angel, I should dig out the dvds, hmmm.

Well, it’s late so I shall leave you. I shall leave you with a note I wrote down while listening to ACMS, Am I my own Santa?

Toodle pip!

It was a very good year (part II)

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2013 saw McNeil and Pamphilon Go 8-Bit! Okay so if I just saw those words it would mean nothing to me, but the pic and blurb informed me it was about classic videogames. I had never been into videogames or particularly understood the appeal, but, well it was M&P so hilarity was expected. And how! So I didn’t know any of the games, but from my distance it was an entertaining hour of anthropomorphic insight; comedy, rivalries and the most evil forfeits (I really felt for Pamphilon by the end). The sheer enthusiasm and joy of watching a bunch of comedians mucking about and having a laugh was just a pleasure.

Go 8-Bit! embraced the new multimedia, these were young, tech-savvy comedians, or least, they knew someone who was! The following year the tech went even higher, the audience participated on their mobiles! Needless to say, I didn’t, and just as well as interaction meant you may be picked to play the next videogame – that would not have been pretty! The technology and interactiveness really fascinated me, but only as an observer.

The Pin was our opener that year (was or were? The name of a comedy act, but it’s a double act) two fresh-faced youngsters, Ben Ashenden and Alexander Owen. It was the first preview which is possibly why they seemed to be trying too hard for the first while, but then it became much funnier as they relaxed. My journal says “They do have potential. ☆☆☆” I have seen them since and indeed, they’re doing well, they’ve even had the 6:30 comedy slot on Radio 4. I’d say that’s doing well.

2013 was our third outing to see Max and Ivan, who had moved into the Pleasance Queen Dome for Max and Ivan: The Reunion (they were going up in the world!)  The show was nominated for Best Comedy, though for me whilst it was slick and very well-done, it didn’t tickle my funny bone quite as much as their previous two shows. Indeed, the first time I put “A very enjoyable show, even though poor Holmes had broken his ankle… ☆☆☆☆+”, yes, Max Olesker had broken his ankle but he carried on and even got laughs out of it. Radio 4 beckoned and they’ve had two series of The Casebook of Max and Ivan with some great guests like June Whitfield and Reece Shearsmith!

Ah, I’ve just spotted on Thursday 15th at 14:10 I saw Sock Puppet in The Cellar at the Pleasance Courtyard. It was a monologue about a murderous possessed sock, and my first encounter with John-Luke Roberts. What a bloody fine year it was!

(To be continued……)