So 2021, any highlights?!

Oh 2021, we started the year thinking we might get past Covid and all the restrictions, ha, here we are a year later! After all the lockdowns of 2020, more of the same just made 2021 drag. This time round it just got boring, lethargy set in, no point trying to look forward to anything as it would most likely be cancelled, at best postponed indefinitely. So, were there any highlights? Hmmm.

Highlight numero uno, the snow in January and February, all from the east, so lovely powdery stuff, snowmen everywhere, sledges, snowboards, even skiing in Holyrood Park! Yes, decent snow in Edinburgh, again! Okay, so slippy as hell, but beautifully scary is better than greyly dull.

Highlight number two, finally being able to head down to see family in May. It felt so different to other journeys home, and so nice to see faces right in front of me and not on a screen. And hugs!

Numéro trois, cinemas re-opening, yay. I like seeing movies on the big screen. Oh what? Pubs were re-opening too? Sorry, not a highlight for me – too many constraints, the new normal; being able to go back to the cinema was way better to me. Tied for my top cinematic highlight of 2021 are Free Guy and Last Night In Soho both brilliant in very different ways.

Nummer vier, enjoying the beautiful summer weather at Portobello beach. After spending so much time in solitude in Holyrood Park, it was great to be among people on the beach, and so many nationalities, it felt quite cosmopolitan. Oh, I love the wildness and nooks and crannies of the Park but sometimes I do need company, to hear voices and laughter, a sunny day at the beach ticks those boxes.

Numero viisi, it had to be there, the Edinburgh Fringe Festival 2021. Okay, so it started real slow and I was dubious how good it would be, how many actual live In Person shows there would be, but as it progressed more acts came up (as the line from Field of Dreams says “If you build it, they will come”). Every few days more shows would be announced, more venues opened up, more seats became available at previously sold out shows because of the restrictions being eased; it was exciting and unpredictable, regular checks for updates were vital (I have no idea how the Online version went, I was done with screen-watching). The lack of the Half Price Hut meant I had to adjust my sights to fit my budget, Pay What You Can and Free Fringe shows featured a lot for me.

The Monkey Barrel Comedy Club was a highlight hosting weird and wonderful comedy; including John-Luke Roberts, Rob Kemp and two thirds of the Privates, all of my Fringe highlights! Oh, except one, the only show I saw at the Pleasance Courtyard, Tim Fitzhigham: Here Now. Tim’s always entertaining but he really was on top form for this one show in the Cabaret Bar, almost manic with glee at sharing his stories with a live audience.

August saw highlight numer pięć – live music back again! A band had started playing almost every day on Waverley Bridge, like, why not? It was good weather in general, the road was closed to traffic, plenty of room for people to pass by while others hung around and watched (generally safely distancing). All this fringing and good music got me itching for more, Stramash was open again with bands playing, I had to go along; and who was playing my first time back? The band from Waverley Bridge (aka The Kennedy’s Project), oh joys! They were such fun.

The autumn months of 2021 were as good as any time I can ever remember for seeing great live music: the Voodoo Rooms (especially The Courettes ❤); Stramash, of course; I became reacquainted with Whistlebinkies (I’m not sure why I didn’t go there for years!?); and, a particular highlight for 2021, Fur at Sneaky Pete’s! Yay! I’ve discovered the likes of Jed Potts and Willie Dug these last few months, it’s like a new vista laid before me; there’s been old friends in new guises, The Scat Rats, aka Scott Rough and Carl Marah from Logan’s Close, playing covers with a few of their own songs thrown in (bloody marvellous as per usual).

Sadly, what promised to be the highlight of the year, Logan’s Close Presents … A Christmas Pudding had to be postponed because of the latest covid variant. Mind, even without that shindig Logan’s Close take the top highlight of 2021 spot with the wonderful Logan’s Close on LimbicTV (Live from Aluhpasonics) back on the 27th March 2021; still available to watch on YouTube and I think there’s still a way to donate if you feel inclined to show your appreciation. I could wax lyrical about how great it was, or I could attempt a pingback to the post I wrote at the time So Close so fine, let’s see, by George, I think I did it! Hopefully if you click on the highlighted post title it should open up in a new tab [EDIT If it doesn’t open, try twice more, it may need coaxing], I hope (or you could scroll right to the bottom of this page and do a search for it).

If you do read about why this live music session takes the prize for 2021, you’ll notice my pleas for the audio recordings, well…….. I’ll tell you later.

Toodle pip, and may your god smile upon you in 2022 💛

Moose heads and table lamps, musthaves!

I did it! It took a while and a few wrong turns but I did it! Indeed, Great Uncle Hubert looks great on my wall, a fine head!

He’s so going to be tinseled and baubled up for Christmas. How could I not?! Yeah, it’s nearly crimble time again. The Edinburgh Christmas Market is up and running; a lot smaller than previous, which is no bad thing. I had a quick scoobies at it yesterday and can report that it’s nothing to write home about (yes, the irony is not lost on me). I hope no one makes a special trip to Edinburgh for it, there’s surely much better Christmas markets to visit. I used to treat myself to a drink and a snack on one wander each year just to get into the Christmas spirit but, like (call me Scrooge if you want) not at those prices, especially for Rekorderlig Swedish spring water with added apple flavours!

There is an ice rink in town this year, I think it’s at the west end of George Street, and there seems to be some fairground rides at the west end of West Princes Street Gardens. Haven’t been for a tootles at either, I shall report back when I do. I can report that Frites on Lothian Road do rather good chips! Yes, they probably prefer to call them french fries but I reckon they’re large enough to count as chips, good mayo too. I was heading for the cinema and realised I needed to eat but also needed to keep moving; I’ve passed it a million times but never stopped before, I couldn’t wait until I had popcorn, a good choice!

The film I was seeing? Venom: Let There Be Carnage for a second time, actually I reckon that I enjoyed it more on second viewing. I’ve also been back to see Last Night In Soho again, such a brilliant, brilliant fillm ❤

Talking about brilliant things, Fur finally made it back to Sneaky Pete’s, yay. This was a rescheduled date from March this year – oh, how confident folks were in summer ’20 of Covid being controlled by early ’21. Now at the back end of ’21, we can see bands again by masking up to enter venues and buy drinks at the bar ….. then removing them to bop and jostle about in a packed out box! I did notice the air-conditioning seemed to be rather better than pre-Covid, no bad thing, it still got very warm but not like before.

Fur last played Sneaky’s in September 2019, I actually just went because Logan’s Close were supporting, I wasn’t expecting to be blown away by this band from Brighton. Reader, I was so blown away I bought the EP! The sound, the songs, the vocals, wow. You’re probably expecting me to give some description of them next, erm, sorry, fully formed sentences ain’t happening. Retro, jangly, disturbing, disquieting eeriness, wistful, euphoric; there’s a few words that come to my mind about Fur.

This time round they have a new album out, When You Walk Away, so natch, I had to buy one. White vinyl, no less! And all the lyrics on the inside sleeve, nice. I rarely buy records these days but it does feel so good to have these two spicing up my collection. Plenty in Sneaky’s were obviously already well acquainted with the new stuff, as Murray (vocals and guitar) was blown away by how many were singing along. Me, I just bobbed about, soaking it all up, a blissed out moose; I love Murray’s voice, and the new stuff is more of the same, no bad thing! And you’ve got to love a band who take table lamps and a rug on tour to add ambience to the stage, oh yeah.

The evening was too good to just head home after the gig, you know how it is! A few drinks later and the night ended in Whistlebinkies, a late night bar with live music just off the Royal Mile, and what do you know, Fur were there drinking with the Scat Rats (The Close weren’t support this time). Just had to get a couple of shots for the files…….

And on Logan’s Close, they’re having a big Christmas bash at the Voodoo Rooms with three support acts, including Julen Santamaria from Awkward Family Portraits. Now that’s how to get into the Christmas spirit!

Three movies and a couple of rats

As the evenings draw in, it can be too easy to accidentally cocoon oneself at home, so this week I’ve been catching up at the cinema again, three films seen so I’m already quids in for the month on my Unlimited card. This was the final week for Wes Anderson’s The French Dispatch so I started with that on Tuesday evening……

The French Dispatch is a sumptuous, visually stunning film to wallow in, if you like Wes Anderson films, be warned this is a very, very Wes A film. As usual he has a large returning cast, does he write characters with people in mind, or think who he wants and writes for them? The French Dispatch is a magazine supplement produced in Ennui-sur-Blasé (a fictional town in France, Angoulême was used for the location shots) for an American newspaper; the film has a beginning, an ending and three feature articles in between, like I said, it’s very Wes. There’s a lot in there but personally I found that whilst it was sensory overload in many ways, it lacked something for me, the whole was less than the sum of the parts. Hmmm.

Next up was Venom: Let There Be Carnage and there was, indeed! Well, it is a Venom film so violence is part of the territory, accompanied by lots of fast quips and dark humour, of course. Again, a film to enjoy, but for me, not quite up to the first one. Tom Hardy is very watchable as always, and Woody Harrelson has a whale of a time! I was thinking back thirty years and more, to when he played Woody (the dopey bartender) in Cheers, who would ever thought that same guy would go on to do so much and win awards?! In Venom: Let There Be Carnage he plays locked up serial killer Cletus Kasady, who by managing to bite Eddie Brock (Tom Hardy) gets a piece of the alien symbiote, which makes him even more psychotic and he becomes Carnage. I have a few niggles about plot holes and bits, but it is a very entertaining watch, just don’t think about it too much.

Then, last night I went to see Last Night In Soho, Edgar Wright’s latest film. Oo, he’s good. Great story, script, cinematography, atmosphere, soundtrack, and wow, the actors! Sixties iconic actors, Terence Stamp, Diana Rigg and Rita Tushingham, former Dr Who Matt Smith and two of the best young female actors around, Anya Taylor-Joy and Thomasin McKenzie (plus a number of other recognisable faces). This is a beautiful stylish film right from the first scene when modern day wannabe fashion designer Ellie (McKenzie) is dancing around, wearing a dress made from newspaper, to A World Without Love, in her room which is plastered with posters from the sixties. She’s soon heading to London and college; overwhelmed by student life (and a bitchy, shallow roommate), she moves into a room on Soho (oh, and we know she has some kind of spooky gift), and so it begins……

Everything is so brilliantly realised, the fashions, the clubs, Ellie sleep-watching Sandie’s world, slowly becoming most absorbed into it. The lightness at the start of the film gives way to the darkness, the seedy sordid side of the swinging sixties. Scenes like Sandie’s (Taylor-Joy) audition as she sings Downtown, and the dream dance sequence are mesmerising. I can’t actually say too much more that wouldn’t spoil the slow reveal of the film, oh, but Matt Smith as the sleazy charmer, Jack, is really excellent and quite unnervingly scary. There’s plenty to think about from watching this film, the attitudes and morals of the times, the victims. I think I need to see Last Night In Soho again, and seeing it a second time, knowing all the truths from the start could be quite fascinating.

This was Diana Rigg’s last film, in some ways a good film to finish with, a bookend to her start in The Avengers tv series as Emma Peel in a somewhat surreal swinging sixties. Rigg was also an early Bond girl (reader, she married him!), but filmwork didn’t entice her away from tv and theatre work, she was a very busy lady! Of course, many now know her as the magnificent Lady Olwen Tyrell from Game of Thrones, and some may remember that she appeared in Doctor Who during Matt Smith’s time in the tardis. I wonder if Diana Rigg and Rita Tushingham shared any stories of their younger sixties selves with their young co-stars, bet they have some good ones!

No cinema tonight as The Scat Rats were playing Stramash, so still sticking with the sixties vibe! A number of Beatles covers amongst other songs from the sixties, and of course, a few of their own. Carl waxed lyrical about their old haunt, Babylon Cafe, which was sadly a victim of covid, before breaking into In The Morning. I’ve put a clip of this ode to a fried breakfast on my Facebook (that’s Bruce T Moose), the ending is a running joke of who can hold the note longest. Oo yeah, exciting, there was a brand spanking new song too!! It promises to be another cracker from the lads.

Crikey its late. Sweet dreams, mes amis!