Goodbye ’23, Hello ’24

When I woke up on the 1st it was raining, oh I was so tempted to go back to sleep but no, and sure enough by the time I was ready to head out the rain had stopped. The proof of the pudding is in the picture….

Yes, that is a traffic cone on top of the trig point!

Yay, my New Year tradition completed again, no thanks to the high winds – I was lucky not to get blown over to Fife! My concerted effort to be up there relatively early (about 10am) paid off, the hordes had not yet ascended, probably still their beds. After the annual pic, I found a slightly sheltered spot in the rocks for my brunch (chicken sandwich and christmas cake washed down with whisky), just taking time to admire the view and exchange new year greetings with passers-by.

I mentioned in my last post that The Scat Rats were playing Whistlebinkies at 3 in the morning on the 2nd (or technically the 3rd), I didn’t make it. The soul was willing but my flesh and bones decided otherwise, a shame. And I bet you’re wondering how the LC gig went on the 29th – totally and utterly bloody awesome!! Mind, I wouldn’t have expected it to be anything less.

It’s been many years since I was last in The Liquid Room, nothings changed; nice that the stage has enough height to allow plenty of the audience a decent view of the band. There is a balcony round the sides and back, tempting (I’ve never been up there) but I’d got myself a good spot close to the front, so was fine.

The lights dimmed to four scattered spotlights, SeanKeys started playing the opening bars of Dans Le Jardin over and over as the rest of the band came on stage and readied themselves (to rapturous applause, natch); Carl next joined in with a lush guitar sound, followed by Scotty’s velvet vocals (and a natty new top he got for Christmas). And they were off!

The set for the evening was Heart-Shaped Jacuzzi in reverse order, so next up was the magnificent Mock Marble Linoleum, yes! Back for the evening was original bassist Ollie Turbitt (he’s definitely acquired some italiano cool), slotting in fine, obviously enjoying himself, sharing plenty of laughs with SeanKeys.

In the absence of Stu, Gavin picked up some of the harmony vocals (there will be four part harmonies in the future, I hear). Great that he was actually visible, and he is a drummer worth watching.

After the chirpy cheeriness of Merry-Go-Round the rest of the band left the stage to Scott and Carl for Calculations + Guesses. It struck me that by the end Scott’s body language seemed to be trying to belie the emotion of the song, distancing himself from it, perhaps? Next, our two troubadours took us way back to an early tune they wrote, very Beatlesque!

The rest of the band returned with two Logan’s Close classics, Lost In You swirling straight through into Give It To Me, what a night!

From there we plunged back into the new album and Curious Terrain, the other grand baroque opus (the studio version is powerful, live it loses none of the nuance and gains from a full-on performance from the band). From there on to the big guns, Babestation then Heart-Shaped Jacuzzi, gotta say this way round really works well live.

It was around this point I get fuzzy, I think it was after the title track that we were treated to a new song (called So Cold, possibly?), I remember a bottle of Buckfast appearing, Scotty saying something like “I’m changing it”, the band going into I Want You which seemed to throw Ollie and Sean a tad. Well, that all happened, though not necessarily in that order!

I do remember the evening ending with Hot Blondes In Your Area Tonight and the whole place going hyper. Oh lordy, what a grand evening! And what a way for LC to end the year! Can’t wait to see what happens next in 2024 ❤️

Oh, if you’re new to this blog, do yourself a favour and check out Logan’s Close on Spotify or wherever you listen to music, hear what I’m making such a fuss over (and see why on my Instagram reels).

Wishing you all an excellent 2024! Toodle pip!

A wondrous thing indeed

Messaging with a friend the other day, I mentioned I still hadn’t written a review for Heart-Shaped Jacuzzi, “they must think you hate it by now,” he replied. WHAT!?! NOOOOOOO! I love it to pieces. How good to hear the whole album together, Logan’s Close had been slowly dripfeeding us singles and videos since last October, now all the pieces of the jigsaw are in place, yay.

Ten vignettes, ten tales of human frailties and harsh realities; the lyrics are brilliant, pulling no punches with touches of world-weariness while the music swirls around, setting and shifting scenes, completing each picture. To borrow from David Lynch, these ducks all have their eyes in the right place. Ten tunes that will make you feel, build you up, deplete you, cocoon you in a euphoric haze, shatter your heart to pieces – or is that just me?

Starting off with a bang, Hot Blondes In Your Area Tonight gets your toes tapping, shoulders jiggling, hips swinging, before you know it you’ll be doing the Slosh (a dance from the early 70s). The banging bounciness of the music belies the story in the lyrics, not much of a life being lived here. From one stuck in inertia, to a tale of a relationship turned sour.

Heart-Shaped Jacuzzi paints a vivid picture, like a 60s sitcom in 4 minutes, do check out the video, both sound and vision are beautifully stylised and lush (Read Never leave the dishes for more) . Next up another disillusioned life, Babestation, already a Logan’s Close classic, first performed on the LimbicTV recording, now a regular part of The Scat Rats acoustic set; sublime vocals already especially Carl’s, how did Dennis Rux get them sounding even better?! Atmospheric, sparse with a soft seductive rhythm.

The sense of despondency ratchets up in Curious Terrain, a relationship seriously on the rocks, but don’t let that put you off it! It may take a few listens, but there’s so much to absorb here; foreboding harsh monotones, plaintive harmonies, Scott’s vocals and words cut deep on this one. The rich, brooding guitars and swirling keyboards have a very Deep Purple feel to me.

From the grand baroque of Curious Terrain to the sparse bleak beauty of Calculations + Guesses, if this track doesn’t move you, maybe check you have a pulse. So ends Side 1 on the vinyl; after the sublime inner torment of Calculations + Guesses you may need a moment or two before getting up to turn the record over.

Side 2, new day, new scene; as Gavin sets a jaunty rhythm going I picture a bright sunny morning, our chap steps out his door, and cue the keyboards. Oh yes, for me Merry-Go-Round is like a 60s film musical number, even down to the tempo change at the interlude when a different set of bright young things would dance briefly into shot; that, or a montage scene, someone get Edgar Wright now!

After all that frivolity, it’s time to crash back to reality and Gouching On The 33. Languid and soporific, the spaciousness, the deliciously delicate harmonies, Scott’s velvety tones; a serene portrait of another casuality of life. This is one of the songs Marah and Rough play regularly, it never fails to move me, hmmm, to still me more like. Half & Half has a lot to recommend it, but for me it’s all about the bass, love it; it’s another track that requires a few listens to really tune into and appreciate all it’s charms, but so worth it.

Track 4 (or 9 on the CD) Mock Marble Linoleum is another grand rock opus to match Curious Terrain; again, parts are very reminiscent of early Deep Purple. So many layers and textures to pick up on here, and Scott really goes for it on this tale of a self-delusional, self-loathing character; the sudden ending suggests a car wreck in my mind’s eye.

Dans Le Jardin brings Heart-Shaped Jacuzzi to a bitter-sweet end. A cool, almost nonchalant, wind-down after all the more turbulent tales. And though it’s not a favourite of mine, goddammit, there’s a whole can of earworms in there, bits and pieces of it forever popping up!

So is the album what I expected? You know, I didn’t place any expectations on how it would sound, this is a new thing, a step forward, Logan’s Close were taking a bunch of new songs into a studio, serious time. There was potentially a chance that in the studio LC could become something other; ha, I was 99.5% sure that whatever came forth from Hamburg would be utterly brilliant (0.5% still critically brilliant, but with a but). Oh yay, how right I was!

Treat yourself for Christmas! Order your own Heart-Shaped Jacuzzi on vinyl, CD or digital download. If you’re in Edinburgh between Christmas and New Year, do yourself a favour and grab a ticket to see Logan’s Close at the Liquid Room on the 29th ( I think there’s still some available). It will be awesome!!!

Now I must away to my bed. Good night, sweet dreams!

Deep in a cave in Edinburgh…

Well, that was rather excellent on Thursday night! Most definitely if I had a time machine I’d go back and enjoy it a few times more! Support band the Cumbiatones certainly warmed up the crowd with their South American grooves, bodies relaxed and loosened, gyrating to the band’s compulsive rhythms – warmed up and chilled out!

Scott’s green Gretsch was sat waiting centre stage, it truly is a magnificent creature!

The last time Logan’s Close played The Caves was back in February 2020, to launch the new single Lost In You, played as the final number that night. Quite fitting then to open with it – the crowd went wild with approval, the LC roller-coaster had begun, everyone was onboard, time for some fun!

Naturally, most of the setlist was from the upcoming album Heart-shaped Jacuzzi (and part of the set too – recognise the telly?) with a few classics thrown in the mix. Funny, that, Listen To Your Mother is now an old LC number, most definitely a classic though. I first saw them perform it in Sneaky Pete’s six years ago (exactly six years ago on the 23rd); it’s been the end number, an encore number, now its settled within the set. Party bangers, introspective moods, tales from the Close, they were all there, changing the pace, leading us on.

The crowd were putty in their hands, gleefully bouncy to Eleonara, strung out by Give It To Me (or is that one just me?), punctuating every start and end with rapturous noise. The latest single Gouching On The 33 popped up about midway, bloody great it was! We were pulled sharply from the laguidity of Gouching by a cracking drum solo by Gavin, and how good was that ease into the start of Babestation? Oh, it was good, so succulent a transition.

From possibly the classic from current LC, to their first classic LTYM, on to the heavy stuff, Mock Marble Linoleum is a wondrous creation with it’s heavy guitar sounds, swirly keyboards and Scott’s velvety narrative. After a wander over Curious Terrain it was time for another LC classic, I’m so so glad it’s still in there, I Want You, always a stunner, if it doesn’t give you chills, well.

Swirly keyboards in mind, I was kinda wondering why SeanKeys was seated, he’s usually jumping around! Was he injured? I caught up with him after the gig, nah, he was fine, he’d been told to sit there and although he missed bouncing about, he admitted that his playing was probably better for it. I actually quite liked the little scene with the lamp, SeanKeys isn’t always very visible off to the side, not tonight!

Fantastic Man was on the setlist too, but the lads were running out of time (there’s a very strict ten o’clock finish in this venue); they made a quick dive off the stage to be cheered back on for encores. I’ll just say here that Dans Le Jardin will forever now have a subtitle Sorry Mum for me (you had to be there). Go out with a bang, they say, Hot Blondes In Your Area Tonight did that with bells on.

What a belter of a gig! Again, please! The lads had James Gilhooly of Dislexic Film onstage with them, filming the whole thing (never play Twister against that guy, he’s very flexible). I wonder what they’re planning to do with the results – should be great viewing! And if I were to pick a favourite from the night? Oo, tough choice, Merry-Go-Round.

Toodle pip!

Ridiculously Sublime

I may have been putting off writing this post, yeah, I have – what can I say about Monday and Tuesday evenings?! I thought leaving it a day might help, give time for my mind to form something. Nah, it’s still just a swirl, a very giddy, exhilarating swirl, I can give you single words, snippets, the set list. No, I can do slightly better than that.

It was sooo good to see Logan’s Close playing together again, and in Sneaky Pete’s, the first time there for the new line-up. I also clocked another new line-up within LC, Carl, Scott and Stu all have Gretschs, there’s a sweep across clip of the start of I Want You that I’ve stuck on Instagram. Yes, one of my favourite older numbers was included, very happy about that! Worked A Treat and Give It To Me made it in too, and, of course, Listen To Your Mother finished things off (ah, the first night Treat had the honour, due to time miscalculations).

Of course, some numbers I’m more used to hearing the stripped down Scat Rats versions, but don’t ask me which I prefer! Every version is perfect in its own sweet way; thinking about it, I’d love to hear a Rats version of Merry-go-round (pretty please?!), it’s a great song but there’s something it really reminds me of, something just out of reach in my head, argh! Oo, possibly a Monkees song, maybe.

Sneaky’s was packed out, bouncing along, it really is a great venue if a tad warm, as the lads always comment, but there’s a new marker as to how hot it’s getting – when Stu throws off his hat. SeanKeys was brilliant as ever, I reckon the second night he positioned his keyboard slightly differently to have more space to jump around.

Two nights of awesomeness, truly they were. Christmas come early! Scott’s voice just keeps getting better and better, and the harmonies, achingly good. Logan’s Close are so in sync with each other, so tight, yet loose, the combined energy, well, it grabs me to my core. The words, the music, the performance, ridiculously sublime! Okay, so I have always had huge, huge love for music that moves me (yes, I know it’s a tad odd, that’s just how I’m made), but nothing has ever grabbed me like the LC sound. Can’t wait for the album! Oh, my heartses!

Well, must go, need to eat and Potts & Smit will be starting in Whistlebinkies shortly. Coming up next time, a christmas shopping jaunt up to Bruntsfield and the odd snowman. I’ll leave you with a pic of Mr Rough from the end of Tuesday night ❤️

A little voodoo magic from Elsie

It’s very late Friday night in Edinburgh, Facebook has informed me that Logan’s Close are in Hamburg; from the pic they were let loose on the streets after their first day in the recording station working on their debut album Heart-Shaped Jacuzzi. It being Hamburg they’re posing in front of a place called Sex-House, well, of course they would, all looking fine and dandy. I wonder how the gig went last night after just travelling over there? I hope it gave them a boost for today. Couldn’t have been as good as last Sunday night at the Voodoo Rooms, though.

Ah yes, finally Logan’s Close got to play the Ballroom in the Voodoo Rooms again – and it was awesome. Not just one or two, they had three support bands to get the crowd warmed up, Julen Santamaria, Jupiter Strange and Racecar. From a low simmer the room gradually went to gently bubbling with the beats and expectation, then the lights dimmed, the lads took to the stage, from bubbling to boiling, a most rapturous reception!! Oh, the love was in the room, I think they may have been a bit taken aback by it all for a few moments before opening with Lost In You.

At the time I was taken by surprise by this choice (oh, a very lovely one, just not a song I would have anticipated as an opener) but as I recall the atmosphere, they were totally caught up in the crowd’s adoration and enthusiasm, so yeah, lost in the euphoria of it all. Next up, Never Bloom, a great live song but like the title says it’s not destined to blossom into a studio track (well, you could grab a copy of the LimbicTV session CD to hear it). Newby Merry-Go-Round was third, I remember because it was also the third song down in the Running Horse, a gorgeous number from the new album (I’m really looking forward to how the studio version will sound, I’m expecting nothing less than totally scrumptious).

Another new song to follow, Half & Half which to be honest I remember thinking was great, but that’s it, hey, there’s only so much of an evening my brain can hold on to! Give It To Me a particular favourite of mine was next, the opening harmonies and keyboards slither round like thick smokey tendrils reaching out before engulfing you in a hazy, intoxicating fog (well, maybe not you but it does me) with that guitar break, oh yeah.

Oo la la, Dans Le Jardin bounced and tripped along joliment, one from the album? Next song definitely was, Heart-Shaped Jacuzzi, the title track. Okay, so by this time my powers of remembering were prerty much used up, that’s it. There may have been another new song in there, and the Close “finished” with another newby about Hot Blondes. Babe Station was in there, of course, and Mock Marble Linoleum, both destined for a soak in the Jacuzzi. Classic I Want You had to get an airing, it’s not an LC gig without it, and the song about the number 33 bus? Yeah, Gouching was there with it’s luxurious rolliness.

After the brief off stage right and the crowd hollering for more the lads obliged with Eleonara (oh yay!), Girl, and what else to end with, especially on Mothering Sunday? Listen To Your Mother, of course! The band each did the obligatory solo after being introduced, the crowd went suitably nuts, oh yes, the new line-up totally rocks it.

I am so, so looking forward to the album coming out, of course that’ll be a while yet, after the recording studio there’s loads to do before it actually gets to be released, all of which costs money, so Logan’s Close have set up a crowdfunder with various rewards for pledges ranging from a digital download of the album, to a virtual pint with Carl and Scott, to a live stripped-back full band set (that’s within 150 mile range of Edinburgh, fair enough). There’s a VIP Concert Day Experience that includes “a pre-concert fry-up at their favourite greasy spoon” – they have a new favourite now? The Babelon Cafe is long gone, I wonder where Scotty gets his tatty scones now?

My donation to the coffers was pre-crowdfunder, yeah, I’m a trailblazer; currently pledges have reached 134% of the original target, so like, wow, the lads are well chuffed and, there’s still over a week to go. It helps a lot that the band were selected by Creative Scotland’s “Crowdmatch” (one of just twenty to be selected), which as it sounds, means Creative Scotland matches pledges when they reach certain milestones. If from all my rabbiting on about LC you’ve checked them out and like their stuff, please check them out again. Gonna leave you with a few pics from last Sunday night. Sorry, epic night but rubbish mobile camera.

It’s going to be a special night

….. Said Carl Marah shortly after Logan’s Close finally began their set at the Running Horse in Nottingham last Saturday night. Oh, it was a special night alright, for all the wrong reasons but I had a great time. I had a great day, first time in two years I’ve been anywhere other than Edinburgh or back home.

After much umming and ahhing I had decided I would go down to see the lads play Nottingham as a prelude to the Voodoo Rooms gig. On hearing my decision, a recent convert to the fineness of the Close asked to trot along with me, goodo, two in a twin room are cheaper than one, and of course soaring fuel prices could be shared, nice. We made the most of the day visiting a number of real ale pubs, lining our stomachs for the evening ahead in a Barburrito, before drinking our way towards the Running Horse.

Okay, so we got there fairly early, but only four including the bar staff?! It had been a gorgeous warm, sunny day, many were out drinking in the sunshine all afternoon; also remember it was Super Saturday (last three matches of Six Nations Rugby) with England not playing until 8pm; and it was just two days after St Patrick’s Day too, personally I don’t get why folk go so OTT about it but they do. The aforementioned may have been factors in lack of bodies at the gig later, who knows. We were happy sitting chatting at the bar with the rather quaffable Duck Berry Pale Ale from the Dancing Duck Brewery. As a few more folk came in we moved away from the bar, must say it’s a nice place, and having a large flat screen to watch the band on in the bar area is a masterful touch.

Rob, the man in charge, had told us the band were running late, fair enough, we were happy. So was Mr Rough when the band rolled up, he came over to say hello rather exurberantly, happy? – he was steaming. The official line seemed to be that his voice was done in from being too enthusiastic the previous two night, maybe there was some truth in that; he’d also gotten drunk after the gig in Bristol and in the morning decided to keep topping up, all day. Thank god for Carl being his usual laidback, quietly assured self keeping the show on the road, minding Scotty, and chatting to folk about the band.

Finally the band started up, my friend and I moved through to watch them (still only a few in, I did feel for the lads), yay, they kicked off with Eleonara, sweet. Next up was Girl, a song that Scott has said he’d be happy never to sing again and he didn’t tonight, Carl did all the lead vocals tonight. My friend was disappointed not to hear Scott sing or the lads’ usual amazing harmonies, that was a big shame for her, yeah. The new bassist did do the backing vocals for Babe Station I noticed (he did good) but I’m not sure if he sang on any other songs. Sadly no harmonies at the start of Lost In You later in the evening, a particular pleasure of mine.

A new song Merry-Go-Round from the upcoming album was next, oh I approve, looking forward to hearing a studio version of it! Oo, just thought, I wonder who’ll be singing it on the album? (I’ve often wondered how the lads settle who’s taking lead vocals on each song, must ask some time) It was great hearing the Marah touch on all the songs as Scott usually does the majority of the lead vocals, Saturday he was too rough to even sing backing (at times he looked too rough to stay upright!), Scott was totally in the zone for what he wanted to hear from the band though, nearly falling off his seat a number of times trying to conduct the others’ performances, even hammered the lad has it!

The sets included quite a few covers – was this the same at the Swansea and Bristol gigs, or just to get the band through the gig using more old standards in place of new songs in the circumstances? Again, I was fine with it, That’s Alright, Mama, What’d I Say, Hound Dog, what’s not to love? Oh yeah, I’d Rather Go Blind was excellent, a song I heard Scott singing some months ago in Stramash, I’m not gonna call it between them.

This was the first time I’ve seen the new line-up, one of the reasons for going down. This mini-tour was a fine bonding session for them before hitting the recording studio. If they can survive sharing a small bunk-bedded dorm room with Scott on Saturday night they can survive anything! Stuart on bass and Gavin on drums are from the same previous band; Stuart had already played with the Close when they started looking for a drummer to commit to them, enter Gavin (very smiley and very young, I like him); fine acquirements for the Close . Sean Keys was kinda tucked away on the far side off the porch, excellent on keyboards as usual.

There was a wee sideshow going on of a couple who’d just met earlier in the bar, obviously from an online dating app; she was obviously rather drunk and kept flouncing off, only to return shortly afterwards to make up, then argue again, all of us who picked up on it were very entertained. I must mention watching Scott trying to pick his plectrum back up off the floor, that was hilarious. Sure moaners would have found plenty to moan about on Saturday night, they’d have probably grumped too when Carl completely fucked up the words to Roll Over Beethoven, bless, I think he was finally begining to crack from the strains of the day. Mind, before the encore he was still on form enough to quip “Here’s one we wrote for the album” before launching into Blue Suede Shoes, haha.

Heading back to the BnB time flew by as we recapped the gig. As two old timers we concurred Scott was completely forgiven by us, it may be a bunch of hazy memories now but hey, we were twenty seven once. If I told you some of things from my twenty seventh year, I’d have to kill you afterwards!!

Just a few visuals from the evening to finish……..

Scott’s pished face, very like his bored face
from the left Sean, Stuart, Carl, Scott, Scott’s scarf and Gavin
just playin’ some tunes on Rob’s back porch
Carlos, did you just mess up that line? That’s my boy!
dear god, Carl, what’ve you been eating, man?
I know it’s only rock’n’roll but I love it ❤