Never leave the dishes piling up, just don’t

It’s oot, Heart-shaped Jacuzzi is out there (on all good music streaming sites), the brand new single from Logan’s Close and, in my opinion, it’s rather damn fine. I had a first listen as soon as it launched as I headed from Binkies down to Stramash at midnight – not a complete coincidence that I wasn’t in a noisy pub just then! I mentioned in my last post that the Scat Rats were playing at Stramash Friday night, this week they also played Whistlebinkies late Thursday night and after midnight Carl was in Stramash with The Buccaneers (Scotty was there with a beer). Busy lads!

I reckon Heart-shaped Jacuzzi is set in the same district as Never Bloom and Mock Marble Linoleum, these folk are neighbours, bumping shoulders in the street unaware; facades of chirpiness hide creeping despair, each numbed by feelings of inadequacy and inevitabilities that are seem unescapable. The songs are like a voyeuristic camera sweeping through the neighbourhood spying on their little worlds; I see the last riff of Mock Marble Linoleum as a montage of his day, ending with him setting out again into the night, the camera pans away from him, swooping up through an upstairs window to the first strains of Babe Station. 《BTW this is one of those very late night train of thoughts that I climbed on-board and went with. Just a personal, moosed up idea inspired by the music of LC and a lack of sleep》

It’s now another day in the Close, another house to peer in, who lives in this one? The intro suggests early 70s sitcom with a slightly creepy edge, then those last two chords, uh oh, “Stale beard…” and Scott paints the scene for us. Messrs Marah and Rough always have great lyrics and even when they’re on the bleak side, there’s still a lightness and wit; and the arrangements of their music combine with their words perfectly to enhance whatever scene or story is unfolding. Here Scott is letting us in on how disillusioned the wife is feeling about her husband and how her life has turned out, “golden days distant memories for you”.

Scott’s vocals are as gorgeous as ever, like a coarse velvet (ok, that may sound odd, if I ever think of a better description I’ll edit it), narrating the wife’s turmoil, almost like her own subconscious dispassionately assessing her life choices. The discord builds up with some dark moody guitar, the keyboards reappear, finally the thoughts break back in, everything is swirling around building up and up (okay, I haven’t yet deciphered all the words in this part of the song yet, but I reckon safe to say, the lady is not in a good place, the video really can’t come out soon enough!) then it all cuts out to a sparse guitar ending, plaintive, but our lady has survived to, hopefully, move on.

Plenty of keyboards in this one, plenty space too. The production on this is brilliant, so much the LC sound (definitely worth the Hamburg trip to get it right). The lads do like a tempo change or two, well, they help with scene-shifting, cutting to another camera. Talking about cameras, on first hearing this I thought, oo, another Lynchian tune but on further listens it’s more Edgar Wright to me (a game I play, matching music with film directors).

Of course Heart-shaped Jacuzzi gets 5 stars from me, heck it can have a few more!

Toodle pip!

one sexy red heart-shaped jacuzzi

So Close so fine

Last Saturday night was the best Saturday night in the last year, possibly the top night of all nights in the last year. Yes, the lads were rather good! Logan’s Close really knocked it out of the park. Two hours of music and banter all wrapped in a psychedelic haze – bloody excellent!

Hats off to LimbicTV, the set up and production were excellent (not that I know anything about these things). The layout looked good and there were lights and cameras galore to capture all the action then mix it up with trippy video effects (I really liked them!), and there’s Dave, the laidback but authoritative voice, great with the banter and keeping the Close on track and sounding awesome. Well, it all impressed me.

Should you choose to check out what has me still buzzing almost a week later (aren’t you curious?) that’s Logan’s Close on LimbicTV (Live from Aluhpasonics), not only will you hear great music, there’s chat on such diverse topics as Scott’s fashion choices, local cuisine (Dunbar fish suppers and Pizza Crunch) and liquor of the gods, well, fortified wine of some monks, Buckfast. Like Dave, I was also at Glastonbury in 1986, such a shame I didn’t bump into him and all that buckie!

Did I mention how good the music was? The band were clearly enjoying finally playing live together, Carl and Scott both had new guitars to have fun with and their vocal harmonising is none the worse for all the time away, I assume Ollie was having fun (dressed all in black including a black facemask in a darker bit of the studio) on his six string bass, Alex on drums was wearing his trademark hat, Sean not only had his own keyboard but the studio piano as well, making full use of both (to think I was initially a tad dubious about the addition of a keyboard player, he’s a perfect fit in their sound).

Fifteen tasty treats, yum, some old, some new, two borrowed, a smorgasbord of sound to feast on. For starters they served up Eleonara, a new one, fun, catchy, a delight. Second was a song I’ve heard them play live before, I thought it was called Never Blue, err, no, turns out it’s Never Bloom, well, you know how it can be at gigs! It’s a cracking rendition of it whatever the name, lots of space in it (something I really like about Logan’s Close, they don’t overcrowd their sound).

Next up were Worked A Treat and Girl. The visual effects are amazing, layering two members of the band over each other, add it a psychedelic swirl of colour, wow! Loved the kaleidoscopic bits during Girl, was Scott able to see them on one of the screens? Did it disturb his concentration or did he just forget the words? Yes, I noticed but he covered it well.

Song five was Gallus Laces which I do reckon I’ve heard before, or it could be that it reminds me of the ambience and lackadaisical sound of Fur, a band I saw in Sneaky Pete’s a couple of years ago. I actually just went because the Close were supporting them but happily made a fine new discovery. Fur were meant to be back up in March but have had reschedule the gig to November.

Next song Babe Station was sublime desolation! When Carl sang the first two lines it immediately took me back to when I first heard Rodriguez, that same plaintive bleak but beautiful sound. The Close should definitely put out this track, please, please, like this, nothing added nothing taken away. Another newby followed, one Mock Marble Linoleum, good solid, a vague early Deep Purple feel to it. Fine but nothing special. Almost an hour in now and the band played Paralysed a regular live number for them, the visual effects go nuts, strobe city! Intense.

Give It To Me had Sean over on the piano for the intro, he’s rather good, you know. This is one of those goosebump tracks, the deliciousness of the guitar break gets me every time. We’re on the home straight now, In The Morning, I Want You, Listen To Your Mother, all sheer class. Scott really let loose on I Want You, as Dave said after it “What I love about you, Scott – you’re prepared to testify” Indeed, amen to that.

Oo, I was so pleased they played Fantastic Man next. This is a cover of a song from the late 1970s by William Onyeabor, the Close did a lockdown video of it early last summer, it was such a ray of sunshine! Last year’s single Lost In You was the last song and blimey, I love this song anyway but this was astounding, I want this version. I defy them to ever play it better than that! What a finish. But, of course, this is the current version of a live gig, so one more tune was in order, but what? A good old classic that the lads regularly play Please Don’t Go, one to go all out on, they did and so did the visual effects!

Now if they could compile a CD from this gig – I’m sure I’m not the only one who’s wishing for this! I wonder what the band thought when they watched it later?! If you watch it, do let me know what you think. It’s late, time I bid you adieu.

Adieu, dear hearts 💛