Speak easy at the Voodoo Rooms

Yes, I was back in the Voodoo Rooms again this week (and I’ll be there next week for Black Cat Bone). Not the big room this time, but the Speakeasy on the first floor, a very intimate venue. I didn’t think I’d ever been in there before, certainly never for a gig but the more I dwell on it, I reckon I may have seen a Fringe show in it years ago. There is bar at the back of the room but, as it was roasting in there, I trotted upstairs for a pint of Caesar Augustus for a bit of a cool down (there are two large air conditioning units on the ceiling but they didn’t seem to be doing much). On one of the side walls is a large mirror, a really large mirror. For aesthetics? To the make the room seem much bigger? Maybe to help shortarses like myself to get a good view of the bands! As usual for a music gig there was a substantial number of giants attending; my jigging around was only half inspired by the beats, the other half by trying to catch glimpses of the bands. Then I realised I got a much better view if I watched through the mirror, result!

I actually knew next to nothing about the bands playing; absolutely nothing about the two supports and only pictures of the headline band on a page I follow on Facebook. The pictures were super cool, oozed style and screamed 60’s vibe – if the band sounded half as good as the pictures that would still be bloody good. The bands?

Apologies to The Poppermost for my lack of organisation to get there earlier and see them, whilst waiting to get served at the bar I heard that I’d really missed a treat! Damn! My excuse? Rain, buckets and buckets of it! My usual mode of transport, Shanks’ pony is averse to the stuff. I’d hoped it might peter out, but by the back of 8 o’clock I had to come up with a plan c (to see the rain without it touching me).

I missed the very start of Les Bof! but I don’t think by much. Their bio on Facebook just says “UK premier French 60’s Garage Rock band!” Well, this moose likes French 60’s garage rock apparently, never knew that before! I love their style and sound, yes, very sixties and that dirty, gritty sound like early Dr Feelgood and the Animals. For the first time in a while the lack of cigarette smoke fog seemed slightly odd, definitely one of those gigs where once upon a time you could have cut through the smog with a knife! The singer Laurent Mombel sure likes to shake a tambourine, and being French he looks cool doing it. I have later discovered that the rest of the band are Scottish (an easy assumption to make that they were all French), well I reckon they’ve picked up a Gallic ambience from Mombel over time. I’ll be watching out for Les Bof! in future.

And then, The Courettes, like wow, talk about the passion, baby! I’m in love! Flavia Couri is a rare and beautiful creature, stylish and sultry, strong with a sweet mischievous smile, and by’eck, can she rock a guitar! Guys wanna be with her, girls wanna be in her gang. Alongside Flavia is husband Martin Couri on drums, and that’s the whole band, nothing else needed. They’re touring to promote their new album Back In Mono with a cover pic that describes their music perfectly, no words required. I would have bought the album that evening, but end of the month, you know.

If I had to describe their sound, I’d say, think of The Ronettes, trash it up, fuzz the guitar and add a wee snarl to the voice. One song has a line, “Look out! Look out! Look out!” which is a very obvious nod to The Shangri-Las’ Leader of the Pack, a classic in my book! The Courettes also have a new single out from the album, R.I.N.G.O. and yes, it’s a tribute to Ringo Starr. Ah, just twigged, it’s images of a seedy old funfair, fumblings in the dark, à la That’ll Be The Day that their music evokes for me (Ringo Starr starred in it). So many Courettes’ songs would be perfect for film soundtracks, someone call Tarantino!

I hope it’s not too long before The Courettes ride back into town. I need more ❤

A marvel, a spy and a little bit of voodoo

I finally got round to seeing Shang-Chi And The Legend Of The Ten Rings on Wednesday night – the last evening showing of it at Cineworld. It’s only been showing for about, oo, five or six weeks! I actually knew nothing about it, hadn’t seen any adverts or previews, I hadn’t even noticed it was a Marvel film, yeah! How? I know! Just the poster and the title pulled me in and I’m so glad I went.

Shang-Chi And The Legend Of The Ten Rings is not a brilliant film, but it is really enjoyable (great fight scenes) and, as I had only just found out it’s part of the Marvel-verse, a tad befuddling when Trevor the Scouser turned up in it. If you’re now wondering who Trevor the Scouser is, you either haven’t seen all the Marvel films or you weren’t paying attention when you did. I recognised him straightaway and my brain was whirring trying to remember the details, thankfully he gave a long flashback exposition to fill all the blanks. There’s a number of long exposition speeches with accompanying flashback scenes in this film, possibly annoying to some; the lead-ups to them are a tad trite, but then I came to the conclusion that it was intended that way and went with it.

I thoroughly enjoyed the story, it is quite unusual these days to see a mainstream film without being aware of any of the plotline beforehand. I wish now I’d seen it earlier so I could have gone back and watched it again; and how good to see Michelle Yeoh on screen, such serenity! The actress playing Shang-Chi’s friend Katy was bugging me as she seemed familiar but, no, it wouldn’t come. Turns out it was her voice I knew, she played Sisu in Raya And The Last Dragon that I saw back in May, she is Awkwafina an American actor and rapper and I reckon she’d be a great laugh on a night out!

The following evening saw me back in the cinema for the latest Bond movie, No Time To Die. Well, its a Bond movie with all that entails – great villains played by class actors (Rami Malik and Christoph Waltz), beautiful ladies (I particularly liked Paloma played by Ana de Armas), the team back in Blighty (including of course Miss Moneypenny played by, the more beautiful than ever, Naomie Harris), a great theme song and musical score with an added bonus of We Have All The Time In The World woven through it. Oh, and a plotline that necessitates plenty of international travels, of course! I liked it, one of the better recent Bond movies for me, though I’m not sure about where the franchise will go next!?

Last night (yes! out three nights in a row!) I was in the Voodoo Rooms to see The Eclectic Electric Ukulele Blues Band, I was intrigued by the name and had to check them out. The fact that Willie Dug and the Cosmic Gents were the Support may have nudged my decision to go. Just as well the support were excellent, ’cause the EEUBB were rather uninspiring. Oh, the main guy had some fancy electric ukes but they were just an average pub blues band, nothing to write home about! If they didn’t have the word Ukulele in the name it would hardly have registered that two of the band were playing ukes, but I guess it helps intrigue the punters in, like it did me.

A lovely surprise bonus to the support band was one Carl Marah! Didn’t see that one coming! I hope he didn’t feel too comfy there, to lose a drummer or bass player is one thing but …….. Nah, he wouldn’t. But he would promise, and I quote, “a big ol’ bauble banger Xmas bonanza”, yay! A Logan’s Close Yuletide Special, can’t wait!

I shall leave you with pics (taken with my new phone, I’m sorry!) of The Scat Rats doing their thang…….

Move over Lionel Ritchie, it’s Bea Arthur’s Seat now!

Hello you, I’m ba-ack, the moose is in the hoose. All my travel bits have been sorted, cleaned and put away, time to play! And yay, tonight sees the Scat Rats back at Stramash. Oh yeah, I realised some time after I wrote the last post that I hadn’t mentioned seeing the Scat Rats before, how remiss of me. A few weeks ago I popped into Stramash on my way to the cinema as I had some time to kill, some band called the Scat Rats were playing. Well, blow me down, it was Carl Marah and Scott Rough from Logan’s Close! Needless to say, I never made it to the cinema that evening, it was well after nine when the lads finished their second set. Just the two of them on acoustic guitars playing mainly covers and a few of their own. Oo, they played Babe Station, love that song, gonna have to go back and check it out on the Limbic TV gig, has it altered since then?

I’ve been back since Wednesday evening, just before six. I know it was just before six because I made a brew, grabbed some digestives and put the telly on just in time for Richard Osman’s House of Games. What a lovely surprise and long time no see, Andy Hamilton is on it this week (he’s doing rather well). He’s a very clever and very funny man; he’s created, written and directed comedies on radio and tv, he acts, writes novels and is known for appearing on radio and tv game shows. Apparently he still appears on The News Quiz on Radio 4, I don’t bother with it any more, gave up on it a few years years ago. For me, the Simon Hoggart years were the best, when Andy was on it regularly with the likes of Linda Smith, Jeremy Hardy and Alan Coren (them were the days!).

Googling Andy Hamilton, I’ve discovered that he performed at the Edinburgh Fringe in the 1970s going on to being a scriptwriter for tv comedies and radio. He’s been responsible for creating some great comedy – Drop the Dead Donkey in the 90s (essential viewing at the time), Outnumbered (out of the mouths of babies, nuff said), Old Harry’s Game on Radio 4 ( it did tail off in the later series) oh, and the wonderful film What We Did On Our Holiday. Bud and I saw him at the Fringe in 2009, he did one night at the Queen’s Hall, Andy Hamilton’s Hat of Doom. The review in my fringe diary reads “Good, sharp, but not really brilliant like we wanted. ☆☆☆☆”

If Andy wins tonight’s ROHOG he’s won the trophy for the week, he may well still win it if he comes second. I want him to win, he deserves it just for getting the answer Bea Arthur’s Seat in the Answer Smash round. Speaking of the Seat, I must go out and stretch my little legs.

Toodle pip!

Bags, uke, that’s me ready!

Just time for a quick catch up before I head off for a wee while, bags are packed, ukulele by the door so I won’t forget it. Yay, I did get to see Free Guy again! Still great on second watch. I also got to see the Aretha Franklin biopic Respect, like wow, WOW!! Jennifer Hudson is sooo good. The film ended at the time when she recorded the live album Amazing Grace, the recording of which was filmed, a film I saw two years ago in the Filmhouse, sweet!

This week I luckily spotted that The Green Knight was on at the Filmhouse, a “last chance to see” Facebook post . It’s a re-telling of Gawain and the Green Knight, in this version Gawain is played by Dev Patel (the reason I wanted to see it, he’s getting better and better as he ages). Sumptuous and kinda arty, lots to enjoy, but I did feel it lacked a bit towards the end.

Stramash have very kindly released a lot of gig dates for October and November, so there’s Jed Potts, the Kennedy’s Project and Willie Dug to look forward to, and yay, the Scat Rats (aka Messrs Marah and Rough) will be back, and, double yay, not until after I’m back in toun. Ah, thinking of the Close, I recently went on a coastal meander and popped by Dunbar, look what I found, yay!

Just a jog away from Dunbar is Belhaven Bay, plenty sand, sea and surf. Oh yeah, the surf was up! A great place just to idle a while, shame I didn’t discover it midsummer, ah well. Beach Boys songs swam around in my head as I strolled across the sand; it struck me that it could well have been the Beach Boys sound that heavily influenced the Scat Rats if they’d spent more time on the beach…..

Toodle pip!

That turned out pretty damn fine!

Last night wasn’t a good Friday night, it was a great Friday night! Oh yeah, I finally got round to seeing Free Guy and I think I may have to go see it again on the big screen before it disappears, I ❤ Ryan Reynolds. There’s a lot that I love about this movie – RR, Jodie Comer, Channing Tatum, Taika Waititi, great choices of music for some of the big scenes (especially the scene using Mama Cass’s Make Your Own Kind of Music), it is sooo visually stunning, a wickedly funny, witty script and, for me, great ideas and layers all delivered with a weirdly gentle innocence and charm.

I didn’t actually know much at all about Free Guy but it’s got Ryan Reynolds in it so that’s enough for me. I had heard stuff but had forgotten the details, like that Jodie Comer is in it. When Molotov Girl first appeared she made me think of Danni Minogue, then when I saw Millie, oh yay, it’s Villanelle, ah, yes, when you need someone who can do accents! The opening sequence with all the “sunglasses guy” stuff was such fun, and Channing Tatum too! Something of the premise came back to me, Free City is an online open-world video game and Guy is a background character who somehow breaks from his programming, game world and real world interactions ensue …. As I’m not a gamer at all I floundered a little, er, NPC? A non-player character? Ah, a background character within the game, yeah, I don’t play these games at all.

So, Guy, a mild-mannered bank teller, living a regular life, doing the same things every day, happens to spot the girl of his dreams – not part of his daily routine, it triggers something and he starts being more than he should be, he does the unexpected, he takes a pair of sunglasses off a bank robber, wow, the sunglasses let him see things he didn’t know were there (bit of an unwitting Matrix blue pill moment there). What Guy doesn’t understand is that the glasses are showing him what a game player sees, with them on the NPC becomes a game player and he moves away more from his programming, which causes Millie and everyone in the real world to think he’s a player/hacker. Guy finds Molotov Girl but she tells him he must level up to above 100 if he wants to speak to her again and shows him how to click the side of the sunglasses to see his level. He doesn’t really understand it but he really wants to see her again, how to level up? Take guns and money, she tells him, but he’s a good guy, and so begins the ascent of Blue Shirt Guy.

No more plot for you, just that Guy helps Molotov Girl in his world to help Millie in the real world fight the bad guy Antwan, played deliciously by Taika Waititi. Guy’s fight to be free to do whatever he wanted made me think of Wreck-It Ralph (another great film imo). There’s plenty in this film that sparks thoughts about other films, oo, a fresh one, remember Chris Hemsworth’s dancing in Ghostbusters and Bad Times At The El Royale? Channing’s moves in this made me think of how good he was in the tap-dancing sequence in Hail, Caesar! We need a film with the two of them in a dance-off – Mr Waititi, if you’re not busy?!

Yes, I need to see it again, there’s also Respect to see this week before it finishes, possibly Shang-Chi And The Legend Of The Ten Rings too. Thursday sees the new Bond film oot, that looked pretty good on the trailer. Oh yeah, I saw a trailer for Venom: Let There Be Carnage too, really looking forward to that!

You may be thinking that was my Friday night done, oh no, I hoofed it quickly down to Stramash to catch Willie Dug and his band (not the Cosmic Gents as seen at the Voodoo Rooms a couple of weeks ago). This was Willie on guitar and vocals with a drummer and a guy on harmonica, nothing more needed to make sweet sounds! Willie Dug is one magnificent hound, oozing style and charisma, shades of a young Malcolm McDowell, especially when he stripped off his shirt and put on a faux leopard fur jacket that was lying on a barrel just in front of the stage.

The Stramash crowd were really up for dancing, the band delivered and then some. For me the best of the bunch were Come Together (I notice it’s become a popular one to cover since the lockdowns), Roadhouse Blues and the final, one more song, Not Fade Away, ah, a song with many fine memories for me. The minimalness of the band recalled Bluefinger for me, Not Fade Away was a fitting number to head out into the night air on. To paraphrase from Free Guy.….

I may not be real, but for a couple of hours there I felt pretty alive

You take your eye off the ball for mere moments…..

Hello, dear reader, did you miss me? I do have a tendency to disappear into other things after the Fringe is done. This year I somehow managed to totally miss that Logan’s Close were playing at the Dunbar Music Festival, headlining no less, at the Battery on the Saturday night. And with a new bassist! Okay, so there was a different drummer too, but they’ve had various drummers in ever since Mick left (drummers round here seem to be real tarts, they don’t commit to one band). I’ve seen clips on Facebook and reckon this bassist is a good fit, and he can sing harmonies too, bonus! Check out the Dunbar Music Festival’s Facebook page to see for yourself, there’s plenty of clips of all the bands through the weekend.

Oo, I’ve just spotted one Willie Dug & The Cosmic Gents were playing on the Saturday afternoon. They’re rather good, I caught them at the Voodoo Rooms last Wednesday; I heard there was a free gig with three bands to celebrate the return of live music, yay. Annoyingly I wasn’t aware that Carl Marah was the first support act – until I wandered in during his final song, dammit. I also didn’t hear that he was the guest with the Handsome House Band at Stramash the previous Sunday until after it happened! Three misses in less than a week – no, I was not a happy bunny or moose.

I’m not the only back in the room, the students are all back in droves. This last week has seen masses of wide-eyed, big suitcased young’uns trying to find the right Students Residence (there are an awful lot these days and not all are well signposted, as the fast food delivery guys will testify). The older returning students have been making up for a lost year by hitting all the night spots hard, the local media have been going on about the long queues. Oh, give them a break, cut them some slack, please. Yes, Covid is still here but we’re gonna have to get on with life some time, as far as I’ve seen they’re all carrying masks ready for donning as necessary and have phones out ready to check into places (yeah, this is still what Beyond Level Zero means in Scotland).

Mind, the locals may have yet another reason to moan about the students – shortages of beer and certain food items made even shorter. The beer isn’t flowing as it should (last week the Voodoo Rooms were without any Joker or Caesar Augustus and Stramash has had a few beers missing) and the hoards of students will drink plenty, I would imagine. A couple of days ago, the Tesco’s up on the Southside was devoid of olive oil, much of their own brand herbs and spice range, the pasta, rice and tinned tomatoes were severely depleted as was the cheaper soft loo roll; that’s definitely students doing a first stock-up.

Sadly, the start of a new academic year has meant that Roy the Barista has left Edinburgh to study in London – no more lattes and cheery banter on the Royal Mile for me! His latte was so fine I didn’t need to add sugar to improve it, a first for me. Some years ago the best coffee was to be had from Ruby in an old police box, this summer it was Roy from an old phone box, where will the next best coffee be served from? An old pillar box?!

G’night! Sweet dreams!

Good night, beautiful lady

I just heard last night that the wonderful Lynn Ruth Miller has passed away. At the grand age of 87 she has left the stage and there’s a new twinkly star in the sky that’ll shine bright every night. Ironically, there was a stand-up recording planned for Radio 4 with the working title of Not Dead Yet; it was to have been recorded in July but was postponed after she had a mild heart attack in June, and then came worse news that she had inoperable oesophageal cancer.

Now this was one feisty lady who just got on with life, never stopped, so I suspect she’d have known something was very wrong but shrugged it off with a “I’m old, things get achy and don’t work so well any more, but ain’t gonna stop me doing what I want!” If she hadn’t been in hospital from the heart attack, would she have stayed still long enough for anyone to have realised she had cancer? I don’t think so.

Lynn Ruth Miller was no ordinary American from Ohio, she took up stand-up comedy at the tender age of 70, having lived a full life she had plenty of material and she used it well, entertaining audiences around the world, especially the UK, where she made a new home. She’d already been playing the Edinburgh Fringe a few years, when I first saw her in 2009 at the Counting House doing a free show called All About Me; that was her afternoon show, classed under Theatre (my Fringe diary entry was “a gentle, odd little show ***1/2”). Lynn Ruth Miller was also performing another free show every night at quarter to midnight, Aging Is Amazing Redux, this one classed under Musicals & Opera, oh, the lady liked to sing – in her own inimitable style, witty, funny parodies, miss a line and you’d miss a laugh. She liked to sing bawdy songs, sometimes directly at younger male audience members, always funny!

John Fleming’s blog So It Goes has many contributions by Lynn Ruth Miller, just prior to writing this I shared his post on the sad news, there’s much more there about this wonderful soul. A search on Facebook will bring up tributes much finer and more eloquent than I could ever be. For me she was the epitome of all things Fringe and an inspiration of living your own life and always seeing the funny.

Lynn Ruth Miller R.I.P. 💛

R.I.P. author/comic Lynn Ruth Miller… — SO IT GOES – John Fleming’s blog

Regular readers will know of the unique, seemingly indefatigable and gloriously multi-talented US comic Lynn Ruth Miller, an occasional and much-admired contributor to this blog. If not, type her name in this blog’s Search.  Multi-award-winning Lynn Ruth died of cancer yesterday afternoon in London. So it goes. In 2019, she explained that she didn’t plan […]

R.I.P. author/comic Lynn Ruth Miller… — SO IT GOES – John Fleming’s blog

And so ends another Fringe

I’m happy to report that my Fringe did end well, though it did look doubtful for a while that I’d get to see one final show. I went up the Three (Free) Sisters a good twenty minutes early, a few folk were scattered around outside the gate, just a few seemed to be In a definite little queue, ah yes, they wanted to see Darius Davies: Don’t Be Shit but hadn’t got tickets either; I tagged on to them. The guardian at the gate, a woman not to be trifled with, yelled “Anyone with tickets for the next show? Anyone?” about half a dozen stepped forward, damn. Every three of four minutes she’d yell out again and more would realise she was meaning them and so got to enter, mind the queue was still growing all the time.

Ten past nine came and went but we all assumed it must be running late as there was no shout that no-one without a ticket was getting in, and none of us were walking away at this point, just on principle! Yes, just after quarter past nine we started to trickle in, the others in front were all heading to the the bar first but I made straight for the door at the back on the right as instructed. Yikes, there weren’t many seats left but I managed to nab one, which luckily had a shortarse in the seat in front, yay!

The lights dimmed and the star of the show announced himself before running on to the stage to great applause. Five minutes in, as he was telling us how bad Croydon is, I realised I had heard this spiel about Croydon before. Where? Ahha, Joke Thieves at the Counting House. Tonight’s show was apparently a Best Bits of what he’s done so far – apparently so far is over ten years!

It was a great show, very funny though at times not really my cup of tea; nothing bad, just maybe a bit antagonistic for me, hey ho. He is a good storyteller, the suited guy on the bus tale and later recall to it were well executed for maximum effect. A word of warning, trying to leave a Darius Davies show early unseen is impossible, no matter how sneaky you try to be, those piercing eyes will target you and his disapproval will be fierce! Oh, and his final punchline had me laughing most of my way home, nice one.

Good night, sweet dreams!