A pint and a hug, please

Happy New Year! Oh, the ninth day of 2026 has just begun as I finally get round to writing something. So, circling back round to 22nd December 2025 as promised last post, I went over west to see Logan’s Close at The Hug and Pint in Glasgow for their usual Christmas gig. There were plenty of familiar faces in the bar by the time I arrived, grabbed a pint, a few hugs and headed downstairs to the venue where the crowd were enjoying the Raeburn Brothers, also over from Edinburgh (yes, I quite enjoyed them too). It turned out that one of them was on a double shift, as keyboard player (and occasional percussion!) for Logan’s Close. I wonder, did the guys get the gig then LC went oo, actually, while you’re there, could you, or did they get the gig with that already in mind? Anyhoo, a fine choice, the Raeburn Brothers had the crowd nicely warmed up for LC taking to the stage; I say stage, it wasn’t much higher, more a performance area.

The lads opened with a brand new song Crystal Ball, Scott and Stu looking sharp in suits, Carl had already lost his jacket (it was definitely going to get hot), Gavin was way back in the gloom (shame), while the keyboard guy took the prize for coolest shirt (sadly I didn’t get a pic of it). From there, straight into Babestation, the first of seven songs from Heart-Shaped Jacuzzi; newish songs Chillz and Costume Changes were there, both of which occasionally pop up in Scat Rats setlists, so well-known to some.

The brand new song I presumed to be called Giddy Up, Baby at Leith Arches was there and it is; a stark, sparse song, Scott put down his guitar, picked up his drink and donned a cowboy hat, plenty keyboards in the mix on this one (I have to say it was the LC sound is better with keyboards rather than Carl juggling between instruments). After some outstanding singing from the gathered, along to more Heart-Shaped Jacuzzi numbers (a grand sound!), we were treated to another brand new bouncing baby of a song, Not Love (the prospect of another album is starting to get exciting).

Carl, Scott and Stu in harmony

The guys didn’t bother to leave the stage between the “last” number and the first encore, which was, yay, Lonely This Christmas by Mud. This is one of my favourite christmas songs and have previously loved the Rats doing it, but the full LC treatment, and the crowd all singing, oh, my heartses! Only something big with grandiose could follow it, so that would be Mock Marble Linoleum then. Love that bass riff and Carl gets to have fun with his theremin to emblemish Scott’s tale of a sad loser. A class ending to the evening, well, mine. I know there were plans for where folk would continue drinking after the gig but I headed back to the subway into the centre, happily fuzzed up.

I had hoped to hear Lonely This Christmas once more by the Scat Rats the following evening in Stramash but, well, it was a solo Carl Marah instead! I’m saying nothing. Except that the crowd loved him, Carl was in fine voice (the overall sound was excellent, beautifully rich, well done, whoever was on the buttons). From where I was sitting, I could see a number of folk going over to check the poster of the month’s listing to see who he was. His penultimate song for the evening was the full version of American Pie, well, it’s been so long since I’ve heard it, I had to make that my final advent calendar clip.

It’s now very late, or early?! Time I toddled off to bed. I’ll share this on Instagram tomorrow along with videos of LC in action. I did put one up shortly after the gig but it seems the sound has gone, if it was ever there, I’m sure it was!

Goodnight, sweet dreams!

Back last month, in a cave…

As promised last time, my musings on the LC gig, I just didn’t think it would take me so long to write it! I have no good reasons for my tardiness, only feeble excuses that even I’m not buying. I’ve signed up for a hypnotherapy course in an attempt to address things, we should be able to tell if its working in a couple of months. Anyhoo…

So 17th January was the fourth time I’ve seen Logan’s Close headline at The Caves, it is a rather fine venue, very Edinburgh. The first time was way back in November 2017 for the release of their single Girl; second time was for the release of Lost In You in February 2020; third time in May ’23, er, just because?? There had been several single releases in the previous months from the upcoming album Heart-shaped Jacuzzi, momentum? The Close have played in plenty of the music venues around town over the years,

Rather fitting that this headline show was at the start of a new year; setlists can gently morph through time, then wallop, a seismic shift, a new landscape, which in turn will bobble along awhile, yes indeed, this gig showed a new vista to the fans. The Heart-Shaped Jacuzzi songs are now beloved LC classics already, and the lads have a load of new stuff they want to play (yay), so, no Lost In You or Eleonara (fair enough, let her rest, she’s been very busy), and no I Want You! Hey, even as The Scat Rats, Marah and Rough have put Listen to your Mother and In the Morning on the shelf (I do hope they’ll get brought down and dusted off from time to time as both are pure gold). Fair do’s, we were treated to five newbies, eight HSJ toons, and one re-vamp, oh, and Carl doing a bit of crowd surfing!

Local bands Puppy Teeth and Bernstrum and the Men were the supports; I haven’t seen either band play but recognise their faces from Whistlebinkies the last couple of years. Of course, I was in Sneaky’s early on, so still haven’t seen the Pups but did catch BatM’s set, psychedelic garage rock, I think is the right description. The crowd loved them and were having great fun, I watched from up on the balcony taking in the whole dynamic. Whilst not really my bag, I certainly see their appeal, and there’s some interesting stuff going on, worth keeping an eye on, methinks. When the place cleared a tad as folk disappeared outside and to the bar, I mosied down to grab a spot near the front and middle (I’m usually to one side at gigs, not tonight) – no great lummoxes came and stood in front of me! Yay! And then it was time…

They sauntered on to rapturous applause, the atmosphere was electric, ooo, straight in with Hot Blondes In Your Area Tonight, no messing about! Interestingly, to me anyway, last time in this venue they ended with Hot Blondes and began with Lost In You which they’d finished with the previous time; I am rather good at seeing accidental patterns, you know. From blondes to babes, Babestation wove it’s seductive groove around the room, I love Carl’s singing on this, always gives me the chills; which is what the band literally gave us next. Chillz is a newby, and incidentally one that I’ve heard the Scat Rats playing in Whistlebinkies (I have clips of both, so watch out for something!)

Gav always looks chill

Scott was getting hot after Chillz so removed his jacket to exuberant hoots and cheers from the crowd, SeanKeys was in stitches playing through the intro to Dans Le Jardin until Scotty had sorted himself out (he did make rather a palaver of it). I couldn’t help wondering why there was a huge pot plant placed in front of Sean!? Didn’t stop me getting a great shot or two.

From lush loungeyness to the sparser intensity of Half & Half and on to the second new number Costume Changes, where the guitar break conjures up half-formed images of ott theatrics (okay, I have a clip of it that I’ve watched, a few times). Back again to HSJ and the brooding baroque majesty of Curious Terrain followed by some Gouching On The 33. Oh, my heartses!

Mind blown?!

The room was buzzing from euphoric bliss, riding high on the sounds and energy emanating from the stage, and boy, what an excellent spot I had to take it all in! (I would love to know how someone with synesthesia would experience an LC gig, epic or overload?)

As the band could do no wrong, time to bring out more new untested tunes, White Lies tripped poppily along, and by Femme Fatale Carl was feeling the need to bask in the waves washing over the room – the fans obliged and kept him high on a wee crowd surfing.

I think I let out an audible guffaw when Scott introduced the next “new” song, Gallus Laces, it’s been re-vamped from the previous pre-covid version, apparently. So not new to some of us, definitely not if you’ve heard their LimbicTV CD. I still have no idea what the song’s about but I love how it comes across both edgy and lackadaisical at the same time! Falling In Slow Motion completed the set, well, you know, the lads left the stage for a few minutes, as bands do, the crowd hoolers, stamps, claps…. and they’re back on.

After such a great gig, the encore had to be something big – it doesn’t get much bigger than the grand opus that is Mock Marble Linoleum a wild ride to raise everyone up for the final tune Heart-Shaped Jacuzzi. The room sang it’s hearts out, a bloody magnificent end to the evening ❤️

I didn’t go on anywhere afterwards, just took a slight meander home, in the dark, to savour the feelings of unadulterated bliss before they ebbed away. Oh, my heartses.

So, any highlights in 2023?

January 2024, Edinburgh is a tad cold; not that it’s stopped my walks in Holyrood Park, if anything it’s spurred me on! Early mornings up on Nethers Hill in minus degrees temperatures, biting winds. Not quite early enough to see the sunrise but hopefully I’ll make it one of these mornings, that is, if the weather stays clear, hmmm. Early mornings aren’t really my forte any more, Wednesday morning was a real challenge as I wasn’t abed until nearly three. Yes, it was a Scat Rats Late at Binkies Tuesday (generally fortnightly), I needed my fix and the interweb is only showing one more Rats outing for January (another Whistlebinkies but, well, have they actually mentioned it to the lads?!)

I just couldn’t resist a little dig there – some calendars are more reliable than others. Having said that, looking back over 2023, I saw The Scat Rats nineteen times in Whistlebinkies so I can’t really complain (twelve times in Stramash). I’ve been contemplating my highlights of 2023, funny how it starts with, errrrm, what did I get up to? to, ooo that, and, aw that was great! Let’s face it, seeing Marah & Rough on stage is always a highlight for me – a shot of their sound, bliss. I still say a live recording would be awesome!!

The fine weather in April 2023 saw a particular highlight of my year performing in the sunshine on Waverley Bridge – Ol’Times an awesome rock band from Galway. With a sound very reminiscent of 70s rock and a wiry, charismatic frontman, these guys were an absolute blast! They played to a packed out Whistlebinkies twice, I even went through to Glasgow to see them too! August saw them back again briefly, back on Waverley Bridge, back in Binkies, and in Stramash too. Hmmm, so when the summer comes, will the boys be back in town again?!

Another highlight in April was the three days of glorious weather for my road trip up to Melvaig on the West Coast. The scenery was stunning and with great tunes on the stereo, so good! It was just a shame the weather took a turn while I was at Melvaig, the drive back down was as quick as I could make it.

Checking back, I saw 36 films in 2023, erm, two of the titles I have absolutely no recall of, yup, that memorable. Top two film highlights are definitely Renfield and Barbie. Is it just that I only saw Spirited last month or it might possibly class as a highlight? It was highly entertaining – ask me about it in June.

So what about Fringe 23 highlights four months down the line? Grubby Little Mitts splashing about in little paddling pools comes immediately to mind!! Finally entering The Dark Room presided over by the magnificent and shouty John Robertson. Two brilliant impeccable performances by the Voloz Collective in one day. Seeing Aidan Goatley do 10 Films With My Dad again (one of my all-time favourite Fringe shows). More memories are popping up as I think back, but I’ll stop with those that came to mind first or I’ll end up recounting half my Fringe!

Of course, the biggest highlight my year was getting my mitts on my favourite band’s debut album, that’s Heart-Shaped Jacuzzi by Logan’s Close, in case you weren’t aware. Oh, and all the various videos, top spot to Babestation, stylish and retro, hilarious with slapstick violence, big moustaches, green screen guy, there’s a lot to love in there! LC ended 2023 with a sell-out show at the Liquid Room, an epic way to end the year!

No more highlights spring to mind, adieu to 2023, good night to you, and may your god smile upon you in 2024 💛

Goodbye ’23, Hello ’24

When I woke up on the 1st it was raining, oh I was so tempted to go back to sleep but no, and sure enough by the time I was ready to head out the rain had stopped. The proof of the pudding is in the picture….

Yes, that is a traffic cone on top of the trig point!

Yay, my New Year tradition completed again, no thanks to the high winds – I was lucky not to get blown over to Fife! My concerted effort to be up there relatively early (about 10am) paid off, the hordes had not yet ascended, probably still their beds. After the annual pic, I found a slightly sheltered spot in the rocks for my brunch (chicken sandwich and christmas cake washed down with whisky), just taking time to admire the view and exchange new year greetings with passers-by.

I mentioned in my last post that The Scat Rats were playing Whistlebinkies at 3 in the morning on the 2nd (or technically the 3rd), I didn’t make it. The soul was willing but my flesh and bones decided otherwise, a shame. And I bet you’re wondering how the LC gig went on the 29th – totally and utterly bloody awesome!! Mind, I wouldn’t have expected it to be anything less.

It’s been many years since I was last in The Liquid Room, nothings changed; nice that the stage has enough height to allow plenty of the audience a decent view of the band. There is a balcony round the sides and back, tempting (I’ve never been up there) but I’d got myself a good spot close to the front, so was fine.

The lights dimmed to four scattered spotlights, SeanKeys started playing the opening bars of Dans Le Jardin over and over as the rest of the band came on stage and readied themselves (to rapturous applause, natch); Carl next joined in with a lush guitar sound, followed by Scotty’s velvet vocals (and a natty new top he got for Christmas). And they were off!

The set for the evening was Heart-Shaped Jacuzzi in reverse order, so next up was the magnificent Mock Marble Linoleum, yes! Back for the evening was original bassist Ollie Turbitt (he’s definitely acquired some italiano cool), slotting in fine, obviously enjoying himself, sharing plenty of laughs with SeanKeys.

In the absence of Stu, Gavin picked up some of the harmony vocals (there will be four part harmonies in the future, I hear). Great that he was actually visible, and he is a drummer worth watching.

After the chirpy cheeriness of Merry-Go-Round the rest of the band left the stage to Scott and Carl for Calculations + Guesses. It struck me that by the end Scott’s body language seemed to be trying to belie the emotion of the song, distancing himself from it, perhaps? Next, our two troubadours took us way back to an early tune they wrote, very Beatlesque!

The rest of the band returned with two Logan’s Close classics, Lost In You swirling straight through into Give It To Me, what a night!

From there we plunged back into the new album and Curious Terrain, the other grand baroque opus (the studio version is powerful, live it loses none of the nuance and gains from a full-on performance from the band). From there on to the big guns, Babestation then Heart-Shaped Jacuzzi, gotta say this way round really works well live.

It was around this point I get fuzzy, I think it was after the title track that we were treated to a new song (called So Cold, possibly?), I remember a bottle of Buckfast appearing, Scotty saying something like “I’m changing it”, the band going into I Want You which seemed to throw Ollie and Sean a tad. Well, that all happened, though not necessarily in that order!

I do remember the evening ending with Hot Blondes In Your Area Tonight and the whole place going hyper. Oh lordy, what a grand evening! And what a way for LC to end the year! Can’t wait to see what happens next in 2024 ❤️

Oh, if you’re new to this blog, do yourself a favour and check out Logan’s Close on Spotify or wherever you listen to music, hear what I’m making such a fuss over (and see why on my Instagram reels).

Wishing you all an excellent 2024! Toodle pip!

A wondrous thing indeed

Messaging with a friend the other day, I mentioned I still hadn’t written a review for Heart-Shaped Jacuzzi, “they must think you hate it by now,” he replied. WHAT!?! NOOOOOOO! I love it to pieces. How good to hear the whole album together, Logan’s Close had been slowly dripfeeding us singles and videos since last October, now all the pieces of the jigsaw are in place, yay.

Ten vignettes, ten tales of human frailties and harsh realities; the lyrics are brilliant, pulling no punches with touches of world-weariness while the music swirls around, setting and shifting scenes, completing each picture. To borrow from David Lynch, these ducks all have their eyes in the right place. Ten tunes that will make you feel, build you up, deplete you, cocoon you in a euphoric haze, shatter your heart to pieces – or is that just me?

Starting off with a bang, Hot Blondes In Your Area Tonight gets your toes tapping, shoulders jiggling, hips swinging, before you know it you’ll be doing the Slosh (a dance from the early 70s). The banging bounciness of the music belies the story in the lyrics, not much of a life being lived here. From one stuck in inertia, to a tale of a relationship turned sour.

Heart-Shaped Jacuzzi paints a vivid picture, like a 60s sitcom in 4 minutes, do check out the video, both sound and vision are beautifully stylised and lush (Read Never leave the dishes for more) . Next up another disillusioned life, Babestation, already a Logan’s Close classic, first performed on the LimbicTV recording, now a regular part of The Scat Rats acoustic set; sublime vocals already especially Carl’s, how did Dennis Rux get them sounding even better?! Atmospheric, sparse with a soft seductive rhythm.

The sense of despondency ratchets up in Curious Terrain, a relationship seriously on the rocks, but don’t let that put you off it! It may take a few listens, but there’s so much to absorb here; foreboding harsh monotones, plaintive harmonies, Scott’s vocals and words cut deep on this one. The rich, brooding guitars and swirling keyboards have a very Deep Purple feel to me.

From the grand baroque of Curious Terrain to the sparse bleak beauty of Calculations + Guesses, if this track doesn’t move you, maybe check you have a pulse. So ends Side 1 on the vinyl; after the sublime inner torment of Calculations + Guesses you may need a moment or two before getting up to turn the record over.

Side 2, new day, new scene; as Gavin sets a jaunty rhythm going I picture a bright sunny morning, our chap steps out his door, and cue the keyboards. Oh yes, for me Merry-Go-Round is like a 60s film musical number, even down to the tempo change at the interlude when a different set of bright young things would dance briefly into shot; that, or a montage scene, someone get Edgar Wright now!

After all that frivolity, it’s time to crash back to reality and Gouching On The 33. Languid and soporific, the spaciousness, the deliciously delicate harmonies, Scott’s velvety tones; a serene portrait of another casuality of life. This is one of the songs Marah and Rough play regularly, it never fails to move me, hmmm, to still me more like. Half & Half has a lot to recommend it, but for me it’s all about the bass, love it; it’s another track that requires a few listens to really tune into and appreciate all it’s charms, but so worth it.

Track 4 (or 9 on the CD) Mock Marble Linoleum is another grand rock opus to match Curious Terrain; again, parts are very reminiscent of early Deep Purple. So many layers and textures to pick up on here, and Scott really goes for it on this tale of a self-delusional, self-loathing character; the sudden ending suggests a car wreck in my mind’s eye.

Dans Le Jardin brings Heart-Shaped Jacuzzi to a bitter-sweet end. A cool, almost nonchalant, wind-down after all the more turbulent tales. And though it’s not a favourite of mine, goddammit, there’s a whole can of earworms in there, bits and pieces of it forever popping up!

So is the album what I expected? You know, I didn’t place any expectations on how it would sound, this is a new thing, a step forward, Logan’s Close were taking a bunch of new songs into a studio, serious time. There was potentially a chance that in the studio LC could become something other; ha, I was 99.5% sure that whatever came forth from Hamburg would be utterly brilliant (0.5% still critically brilliant, but with a but). Oh yay, how right I was!

Treat yourself for Christmas! Order your own Heart-Shaped Jacuzzi on vinyl, CD or digital download. If you’re in Edinburgh between Christmas and New Year, do yourself a favour and grab a ticket to see Logan’s Close at the Liquid Room on the 29th ( I think there’s still some available). It will be awesome!!!

Now I must away to my bed. Good night, sweet dreams!

A prelude to a wondrous thing

“A polished studio album will surely be a wondrous thing” and how right I was! I wrote those words back in February last year in If you don’t ask …… (clicking on the title should take you to the post, should) just after getting my mitts on the Logan’s Close Live at LimbicTV CD. Checking back on that one, led to looking back at my other posts on the LimbicTV recording and on to playing the CD; then playing Babestation and Mock Marble Linoleum back-to-back with the new album versions (well, back and forth, forth and back, a few times – I was having fun).

Nine days and a trip down to Yorkshireland later, I wrote Driving with Elsie appraising the CD. Reading it again I noticed that Mock Marble Linoleum was now “pretty special” – back when I saw it performed on LimbicTV it was “fine but nothing special” (from my blog post So Close so fine). Well, I’d had a 400 mile return car trip to get into it! Now on Heart-Shaped Jacuzzi, it’s been buffed up, not quite so heavy, but richer; a perfect progression.

Babestation grabbed me from the very first – beautiful desolation, Carl’s lead vocals, then Scott’s velvet backing, blimey Charlie! Totally blown away! Much as I love the whole LimbicTV CD, this track stands apart (still), so how happy was I when I heard it would be on the new album (as Larry, Moe and Curly). Back in April 2021 I’d written “definitely put out this track, please, please, like this, nothing added nothing taken away”, well, in some ways they have. The soul and mood are the same, but OMG, the production takes it so much further (Dennis Rux really has the magic touch).

Lucky me, The Scat Rats regularly play an acoustic version of Babestation that sends me every time I hear it. Though mainly covers, the Rats always played a few LC songs, and now there’s the album to promote, oh yay, they spoil us! There’s clips in my Instagram reels, as much for my own keepsakes as sharing their brilliance with the world.

FYI, in case you’re brand new to my blog, The Scat Rats are Carl Marah and Scott Rough, the two founder members of Logan’s Close, and right now their album Heart-Shaped Jacuzzi has been out on sale for a week; it is on Spotify too, check it out do. The Logan’s Close Live at LimbicTV CD is not on Spotify but you can still watch the original on YouTube (it’s about two hours long – there’s plenty banter as well as music!) and the CD (just over an hour of music) is available on the band’s website.

Next post will be my attempt at reviewing Heart-Shaped Jacuzzi haha, it’s chuffing brilliant! Toodle pip!

Love is … a heart-shaped jacuzzi

Okay, so this isn’t a post, more a quick post-it note. By the time I press the Publish button the debut album by Logan’s Close will be released; that’s Heart-shaped Jacuzzi for those who haven’t been paying attention.

It truly is a thing of beauty, everything about it, I’m in love!! Oh, I’ve had the album since Tuesday late night at Binkies, I’ve had a few listens to it, well, maybe more than a few. I will wax lyrical later about it, I just wanted to say, I’ve got it and it’s extraordinarily fine, exceptionally fine, damn fine.

Yes, I have the vinyl and CD versions.

It’s a gatefold cover with all the song lyrics set out inside around a couple of smart photos of Scott Rough and Carl Marah. Oh, and the lads wrote messages to me in mine, almost brought tears to my eyes, no, I’m not sharing.

Toodle pip!

Notes from my calendar

It’s Friday the 13th, which means it’s only seven days until the album packed with the juiciest of toons, Heart-shaped Jacuzzi is released into the world. Oh yay! Interestingly I’ve spotted that the single of the title track was released digitally on the 21st October last year, hmmm, I wonder if that’s deliberate symmetry? And there’s not just a new album from Logan’s Close (available on digital, CD and vinyl), oh no, there’s a limited run of a special lathe cut vinyl single with Heart-shaped Jacuzzi on one side and Hot Blondes In Your Area Tonight on the other!! Plenty other new merch on their website, check it out!

So far I’ve got through today without anything bad happening, in fact it’s been a rather fine day (touch wood). As soon as I’ve done this I’m popping out to Stramash to catch Duke Duncan and the Hurricanes. Indeed, this next week is a great run-up to Friday, tomorrow there’s Jed Potts & Nicole Smit in Whistlebinkies at two, then The Breeze at seven. Monday evening Jed and Nicole are at Stramash with the rest of the Back-up Crew. Tuesday The Scat Rats are at Whistlebinkies (true this time), followed by the early evening slot at Stramash on Thursday. So, that’s a Marah triple in the next week, yay.

I’m not impressed about next Sunday evening though (22th) as The Buccaneers are playing Stramash at the same time as Jed Potts & the Hillman Hunters play Binkies, bah. Mind, there’s always a chance the Binkies listing is wrong, haha. Moanin’ Bones are back on the scene now that main man Chris Buckley has returned to Edinburgh, I’m looking forward to seeing them again later this month.

And with that I shall bid you adieu, I shall away to Stramash for a pint of Stewart’s and some fine rhythm’n’blues. Toodle pip!

September’s close

Not even an hour left of September! And time has finally run out for the Festival Village at the east end of Princes Street a-top Princes Mall, today was it’s swansong. A controversial place, some moaned that it’s an eyesore, a bad first impression of Edinburgh for travellers emerging from Waverley Station; many loved it, a great central meeting place for friends, a spacious open-air bar with plenty of live music, including open mic sessions. Personally I never went there (not really my kinda place), went past many, many times and never saw any problems; it will be interesting to see what takes it’s place, that is, what the council think is more fitting for the area! Let’s just say, like many others, I have my doubts that it will be anything “better”.

Last Tuesday, for the first time in ages I fell for Whistlebinkies‘ tricksyness, obviously only because I was still a tad unwell. They’d put on Instagram (just the day before) that The Scat Rats were playing at midnight, hmmm, a change to previous details but such a late change, surely it would be right? Now previously, Mr Marah has told me the printed up sheets inside are have right information – only, one said The Scat Rats and the other said Chris Tracey!? Just a half pint was long enough to know for sure, and I trotted home. The Rats should be playing there this coming Tuesday, I’m pretty sure it’s right this time, but I may double-check with Mr Marah.

Oo yeah, Mr Marah and co, just released Half & Half as a single on Friday (on all the usual music streams), there looks to be a video but I don’t think it’s oot yet (not to be confused with the live version vid released back in April). This is the last single from the soon to be released Heart-shaped Jacuzzi, indeed, only twenty days to go! Pre-order now on the Logan’s Close website, CD or vinyl. Yes, I’m shamelessly plugging my favourite band’s debut album, no, I don’t have any financial interest in it’s success, just a big deep love for their music.

Haha, just noticed the time, think I should toddle off and get some kip, more very soon. I’ll leave you with a few pics taken this morning at Duddingston Loch – I think I was sitting in his morning spot!!

a right cheeky bisum

Good night, sweet dreams!

An odd week

This has been an odd week, well, a week of oddities, flashbacks, fun and not-so-much fun. It started on Monday when I got an email that Apocalypse Clown a film I had booked to see in Glasgow the following day was cancelled due to technical difficulties. Dammit! It was my only opportunity too, it only had a very limited release (yup, not a single cinema in Edinburgh was showing it!). You may be wondering what’s so special about Apocalypse Clown that I’d be prepared to trek over to Glasgow for it?

Three of the co-writers were one of my all-time favourite Fringe acts, Dead Cat Bounce, that’s Demian Fox, Shane O’Brien and James Walmsley. Sure its quite some time since they were at the Fringe but they were supertalented, very original and achingly funny; the trailer for Apocalypse Clown looks so good, they obviously haven’t lost the spark. It’s a film with clowns (obviously), vengeful human statues and a slow-motion walrus fight (so I’ve read) – what’s not to love?! A film of semi-epic proportions, I reckon.

So, I wasn’t happy at missing that, for consolation I went to see Barbie for a second time, yay. It made a good start to my evening before Nicole and the Back-up Crew in Stramash, finishing off at Whistlebinkies with The Scat Rats and a wonderful, unexpected delight – the first acoustic rendition of Heart-shaped Jacuzzi, oh my heartses!

Wednesday I decided to check what other old Fringe favourites of mine The Les Clöchards were up to these days – they only have a new album out and it’s on Spotify! Stop, Drop & Rock is a lot of fun, those hobos from a small island near Corsica have still got it – blimey Charlie, it’s ten years since they last played the Edinburgh Fringe when I bought their CD Never Don’t Not.

Interestingly there’s new versions of two songs from that previous album, Love Baby has definitely gone up a few notches but I prefer the raunchier, heavier earlier version of Girls Just Wanna Have Fun (but you will love the new version if you’ve never heard the first one, truly you will). I love what they’ve done with Material Girl a great Clöchards reworking, but my current favourite is Bunch of Assholes, delightfully lackadaisical and bouncy.

Thursday night, yay, a rare visit from over West for Baby Face and the Beltin’ Boys to Stramash. Who? Baby Face aka Julen Santamaria of Awkward Family Portraits, purveyor of Western Swing with a very distinctive voice. There was actually just one Beltin’ Boy with him on this occasion, but the two of them were more than enough for a fun time (I’ll stick a reel on Instagram later). See, this is why I pay so much attention to who’s playing where and when, to catch such gems!

Friday morning and a big downer, my throat was on fire, bloody painful. It had been threatening a while, I’d hoped nightly gargling with TCP would do the trick, nope! Nothing was going to soothe it now, it was only a matter of time before my sinuses joined in the revolt. They did and how, for about forty-eight hours and two boxes of tissues; just a few foot soldiers are left behind now, the rest have moved to my chest.

Okay, so twice I’ve missed The Scat Rats this weekend, hey, I do see them plenty, but The Buccaneers were playing The Jazz Bar after midnight on Friday and I was fully intending on going, damn. Not impressed.

Other bits of news, Logan’s Close have announced 20th October as the release date for their long-awaited debut album Heart-shaped Jacuzzi, get your order in! The loveliest man on the Fringe Aidan Goatley is writing a new show, “the show I’ve wanted to do for several years but only now feel ready for”, this will definitely be one to see next year, can’t wait. Austrian stand-up Elias Werner will be in the UK on Thursday 12th October at The Pen Theatre in London as part of their Fresh off the Fringe season; well, he did tell me he’d be back!

Well, that’s all my news, now I must go gargle some more TCP and get to my bed.

Oh, my precious!