Scott Rough

A pint and a hug, please

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Happy New Year! Oh, the ninth day of 2026 has just begun as I finally get round to writing something. So, circling back round to 22nd December 2025 as promised last post, I went over west to see Logan’s Close at The Hug and Pint in Glasgow for their usual Christmas gig. There were plenty of familiar faces in the bar by the time I arrived, grabbed a pint, a few hugs and headed downstairs to the venue where the crowd were enjoying the Raeburn Brothers, also over from Edinburgh (yes, I quite enjoyed them too). It turned out that one of them was on a double shift, as keyboard player (and occasional percussion!) for Logan’s Close. I wonder, did the guys get the gig then LC went oo, actually, while you’re there, could you, or did they get the gig with that already in mind? Anyhoo, a fine choice, the Raeburn Brothers had the crowd nicely warmed up for LC taking to the stage; I say stage, it wasn’t much higher, more a performance area.

The lads opened with a brand new song Crystal Ball, Scott and Stu looking sharp in suits, Carl had already lost his jacket (it was definitely going to get hot), Gavin was way back in the gloom (shame), while the keyboard guy took the prize for coolest shirt (sadly I didn’t get a pic of it). From there, straight into Babestation, the first of seven songs from Heart-Shaped Jacuzzi; newish songs Chillz and Costume Changes were there, both of which occasionally pop up in Scat Rats setlists, so well-known to some.

The brand new song I presumed to be called Giddy Up, Baby at Leith Arches was there and it is; a stark, sparse song, Scott put down his guitar, picked up his drink and donned a cowboy hat, plenty keyboards in the mix on this one (I have to say it was the LC sound is better with keyboards rather than Carl juggling between instruments). After some outstanding singing from the gathered, along to more Heart-Shaped Jacuzzi numbers (a grand sound!), we were treated to another brand new bouncing baby of a song, Not Love (the prospect of another album is starting to get exciting).

Carl, Scott and Stu in harmony

The guys didn’t bother to leave the stage between the “last” number and the first encore, which was, yay, Lonely This Christmas by Mud. This is one of my favourite christmas songs and have previously loved the Rats doing it, but the full LC treatment, and the crowd all singing, oh, my heartses! Only something big with grandiose could follow it, so that would be Mock Marble Linoleum then. Love that bass riff and Carl gets to have fun with his theremin to emblemish Scott’s tale of a sad loser. A class ending to the evening, well, mine. I know there were plans for where folk would continue drinking after the gig but I headed back to the subway into the centre, happily fuzzed up.

I had hoped to hear Lonely This Christmas once more by the Scat Rats the following evening in Stramash but, well, it was a solo Carl Marah instead! I’m saying nothing. Except that the crowd loved him, Carl was in fine voice (the overall sound was excellent, beautifully rich, well done, whoever was on the buttons). From where I was sitting, I could see a number of folk going over to check the poster of the month’s listing to see who he was. His penultimate song for the evening was the full version of American Pie, well, it’s been so long since I’ve heard it, I had to make that my final advent calendar clip.

It’s now very late, or early?! Time I toddled off to bed. I’ll share this on Instagram tomorrow along with videos of LC in action. I did put one up shortly after the gig but it seems the sound has gone, if it was ever there, I’m sure it was!

Goodnight, sweet dreams!

A siren song to haunt you evermore

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It’s already the last Tuesday in February, whaaat! Not a late one tonight, well, not too late, no midnight rats at Binkies, a rather more reasonable half past nine at Stramash for The Scat Rats. They played that slot last week, naturally I went along, always a pleasure, but oh my, an extra treat – first track as the lads went off for a break, Siren Song! Blimey Charlie! Hearing it like that, totally filling Stramash, just intoxicating! I do hope it gets another play tonight; headphones are fine but through a powerful system in a large room is even finer.

For those unaware, new to my musings (where have you been?!) Siren Song is the debut solo single by Carl Marah co-founder member of Logan’s Close (Scottish psychedelic pop) and one half of The Scat Rats (edgy and dynamic). This is it, Carl has hung up his apron, no more frothing coffees Up The Junction (his mum’s cafe in Leith), it’s music all the way from here on in (in case there’s a biopic in some future year, can I be the first to say, it was a pivotal moment towards his destiny). He’s decided it’s high time that something be done with all his other songs (the nonelsie material), oh yay, even more Marah music, sounds fine to me!

So yeah, Siren Song was released on the usual music streams on Valentine’s Day and there’s also a cd of it available from Carl’s website – yes, of course I bought one. Besides the full studio version, the cd also has an acoustic version, an instrumental version and a wee chat about the song from the maestro himself. His inspiration came from a Roald Dahl short story The Landlady, a tale that spirals down from slight unease to sinister; the sort of thing Edgar Wright could re-visit with style, Siren Song would be the perfect motif through it.

Siren Song has a beautiful haunted quality to it, starting out sparse and eerie, it slowly builds and builds to a glorious, full-on mosh, then ends as it began leaving a feeling of melancholic despair. The production is excellent, such an atmosphere and Carl’s vocals will send a few shivers down your spine. Oh, and there’s a creepy video too, with a great narrative, do check it out.

And besides the single, the lad has a tour to promote it, already two dates in. Naturally, the first gig was in Edinburgh and where else could it be but Sneaky Pete’s, last Wednesday night. You could feel the love in the room! Carl regaled the crowd with the songs’ background stories; he really is a lovely guy, a gentle, unassuming soul with a quiet, easy confidence that’s quite charming. There’s vibes of country, some folksiness, and of course, plenty rhythm’n’blues throughout his songs, all bloody marvellous. The evening ended with Siren Song, and then the crowd called out for more, but what could possibly encore after that? Only getting Scotty out of the crowd to lend backing vocals to Babestation, hell yeah!

… And that was where I ducked out last night to see The Scat Rats, I ran out of time! Sadly no Siren Song in the break but it was a very eclectic mix from Ace of Base to AC/DC. This afternoon I’m off to Glasgow for Carl’s third show, it’s at the Red Door Club (thank heavens for Google maps). Yes, indeed, and why not? Possibly because I’ll see him again on Thursday night?! There’s a thing happening at Leith Arches with good sounds and good food; the sounds are definitely gonna be good as it’s Carl Marah, Jed Potts n Jon Mackenzie and The Moanin’ Bones for a line-up! Yay!

Must dash, more later. Well, hopefully tomorrow. Toodle pip!

Another town, another postcard …

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Wow! The Prague gig was something else and what a great venue! Cafe V lese is definitely a place to check out, see a band, when you’re in Prague. A cool bar on street level, hot sounds below, sweet.

It’s Ingolstadt this evening at Neue Welt. My penultimate gig this tour, tomorrow morning I’ll head to Munich for one final continental blast at Live.Evil. Folk may wonder at the excessive folly of this trip, but hey, I won’t be sitting in a rocking chair at 85, wishing I’d done it! When music is this good, c’mon!!

Just one pic of Mr Rough from the Prague gig…..

Goodbye ’23, Hello ’24

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When I woke up on the 1st it was raining, oh I was so tempted to go back to sleep but no, and sure enough by the time I was ready to head out the rain had stopped. The proof of the pudding is in the picture….

Yes, that is a traffic cone on top of the trig point!

Yay, my New Year tradition completed again, no thanks to the high winds – I was lucky not to get blown over to Fife! My concerted effort to be up there relatively early (about 10am) paid off, the hordes had not yet ascended, probably still their beds. After the annual pic, I found a slightly sheltered spot in the rocks for my brunch (chicken sandwich and christmas cake washed down with whisky), just taking time to admire the view and exchange new year greetings with passers-by.

I mentioned in my last post that The Scat Rats were playing Whistlebinkies at 3 in the morning on the 2nd (or technically the 3rd), I didn’t make it. The soul was willing but my flesh and bones decided otherwise, a shame. And I bet you’re wondering how the LC gig went on the 29th – totally and utterly bloody awesome!! Mind, I wouldn’t have expected it to be anything less.

It’s been many years since I was last in The Liquid Room, nothings changed; nice that the stage has enough height to allow plenty of the audience a decent view of the band. There is a balcony round the sides and back, tempting (I’ve never been up there) but I’d got myself a good spot close to the front, so was fine.

The lights dimmed to four scattered spotlights, SeanKeys started playing the opening bars of Dans Le Jardin over and over as the rest of the band came on stage and readied themselves (to rapturous applause, natch); Carl next joined in with a lush guitar sound, followed by Scotty’s velvet vocals (and a natty new top he got for Christmas). And they were off!

The set for the evening was Heart-Shaped Jacuzzi in reverse order, so next up was the magnificent Mock Marble Linoleum, yes! Back for the evening was original bassist Ollie Turbitt (he’s definitely acquired some italiano cool), slotting in fine, obviously enjoying himself, sharing plenty of laughs with SeanKeys.

In the absence of Stu, Gavin picked up some of the harmony vocals (there will be four part harmonies in the future, I hear). Great that he was actually visible, and he is a drummer worth watching.

After the chirpy cheeriness of Merry-Go-Round the rest of the band left the stage to Scott and Carl for Calculations + Guesses. It struck me that by the end Scott’s body language seemed to be trying to belie the emotion of the song, distancing himself from it, perhaps? Next, our two troubadours took us way back to an early tune they wrote, very Beatlesque!

The rest of the band returned with two Logan’s Close classics, Lost In You swirling straight through into Give It To Me, what a night!

From there we plunged back into the new album and Curious Terrain, the other grand baroque opus (the studio version is powerful, live it loses none of the nuance and gains from a full-on performance from the band). From there on to the big guns, Babestation then Heart-Shaped Jacuzzi, gotta say this way round really works well live.

It was around this point I get fuzzy, I think it was after the title track that we were treated to a new song (called So Cold, possibly?), I remember a bottle of Buckfast appearing, Scotty saying something like “I’m changing it”, the band going into I Want You which seemed to throw Ollie and Sean a tad. Well, that all happened, though not necessarily in that order!

I do remember the evening ending with Hot Blondes In Your Area Tonight and the whole place going hyper. Oh lordy, what a grand evening! And what a way for LC to end the year! Can’t wait to see what happens next in 2024 ❤️

Oh, if you’re new to this blog, do yourself a favour and check out Logan’s Close on Spotify or wherever you listen to music, hear what I’m making such a fuss over (and see why on my Instagram reels).

Wishing you all an excellent 2024! Toodle pip!

A prelude to a wondrous thing

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“A polished studio album will surely be a wondrous thing” and how right I was! I wrote those words back in February last year in If you don’t ask …… (clicking on the title should take you to the post, should) just after getting my mitts on the Logan’s Close Live at LimbicTV CD. Checking back on that one, led to looking back at my other posts on the LimbicTV recording and on to playing the CD; then playing Babestation and Mock Marble Linoleum back-to-back with the new album versions (well, back and forth, forth and back, a few times – I was having fun).

Nine days and a trip down to Yorkshireland later, I wrote Driving with Elsie appraising the CD. Reading it again I noticed that Mock Marble Linoleum was now “pretty special” – back when I saw it performed on LimbicTV it was “fine but nothing special” (from my blog post So Close so fine). Well, I’d had a 400 mile return car trip to get into it! Now on Heart-Shaped Jacuzzi, it’s been buffed up, not quite so heavy, but richer; a perfect progression.

Babestation grabbed me from the very first – beautiful desolation, Carl’s lead vocals, then Scott’s velvet backing, blimey Charlie! Totally blown away! Much as I love the whole LimbicTV CD, this track stands apart (still), so how happy was I when I heard it would be on the new album (as Larry, Moe and Curly). Back in April 2021 I’d written “definitely put out this track, please, please, like this, nothing added nothing taken away”, well, in some ways they have. The soul and mood are the same, but OMG, the production takes it so much further (Dennis Rux really has the magic touch).

Lucky me, The Scat Rats regularly play an acoustic version of Babestation that sends me every time I hear it. Though mainly covers, the Rats always played a few LC songs, and now there’s the album to promote, oh yay, they spoil us! There’s clips in my Instagram reels, as much for my own keepsakes as sharing their brilliance with the world.

FYI, in case you’re brand new to my blog, The Scat Rats are Carl Marah and Scott Rough, the two founder members of Logan’s Close, and right now their album Heart-Shaped Jacuzzi has been out on sale for a week; it is on Spotify too, check it out do. The Logan’s Close Live at LimbicTV CD is not on Spotify but you can still watch the original on YouTube (it’s about two hours long – there’s plenty banter as well as music!) and the CD (just over an hour of music) is available on the band’s website.

Next post will be my attempt at reviewing Heart-Shaped Jacuzzi haha, it’s chuffing brilliant! Toodle pip!

Love is … a heart-shaped jacuzzi

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Okay, so this isn’t a post, more a quick post-it note. By the time I press the Publish button the debut album by Logan’s Close will be released; that’s Heart-shaped Jacuzzi for those who haven’t been paying attention.

It truly is a thing of beauty, everything about it, I’m in love!! Oh, I’ve had the album since Tuesday late night at Binkies, I’ve had a few listens to it, well, maybe more than a few. I will wax lyrical later about it, I just wanted to say, I’ve got it and it’s extraordinarily fine, exceptionally fine, damn fine.

Yes, I have the vinyl and CD versions.

It’s a gatefold cover with all the song lyrics set out inside around a couple of smart photos of Scott Rough and Carl Marah. Oh, and the lads wrote messages to me in mine, almost brought tears to my eyes, no, I’m not sharing.

Toodle pip!

Some salad with my blues, please!

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Last week was Independent Venue Week here in the UK, I don’t know much about it except that it champions small independently-owned venues and helps organise events across the country to increase awareness of how important these small venues are to live music. Living where I do, I’m spoilt with the number of music venues around me, you may have noticed from my scribblings!

As part of Independent Venue Week Whistlebinkies focused on bands playing their own original music; in a whole week something was bound to take my fancy! Thursday night saw me going along to witness the spicy, saucy, sultry, stringy, succulent uniqueness of Dr Salad; genre? they call it bad romance (which actually makes some kind of sense when you see them). Dr Salad are a lot of fun, with deep, heavy, infectious rhythms, guitars wandering their own mysterious ways and the words, they’re the saucy, sultry bit! Oh, and there’s some Velvet Rough in the mix helping the medicine go down.

Scotty boy was back out again on Friday evening with his fellow Scat Rat in Stramash, but huh? they were billed as Logan’s Close, well, yes, they are LC as well, but as a duo they’re usually the Scat Rats certainly on early Friday evenings. Last Friday evening was a ticketed event at Stramash, I had my ticket booked for The Black Diamond Express, a local band who play blues with celtic strains and an Americana twang. It was an unexpected bonus to later read that the lads would be on as support, just a short sweet set of delights.

Definitely in Logan’s Close mode – both were looking very smart (Carl always likes to look smart, but, well, Scotty goes for a much more relaxed look as a Rat), and Carl had his electric guitar for that LC sound. All their own songs apart from the usual finale You Can’t Judge a Book… ; including the latest two singles Dans Le Jardin and Heart-shaped Jacuzzi, sweet. The lads went down well with the crowd, as only to be expected, and had Stramash nicely warmed up for the main attraction.

The Black Diamond Express, are a band of many, the stage looked packed out after the sparseness of LC. With that many musicians about, there had to be one I’d seen elsewhere – yes, the bassist, Ewan Gibson. He’s a Buccaneer, one of Nicole’s Back-up Crew, a Blueswaterman, and that’s just the ones I’m aware of, probably a few more, I’m sure.

When The Black Diamond Express came on the place was buzzing and there was soon some jigging about going on in the crowd. For me the fiddle-playing really enhanced the mood of the music and sounded great against the singer (great voice there). Oh, it was all great, I just like a touch of fiddle to add a little pathos and melancholy.

Back in Whistlebinkies on Saturday evening Jed Potts and the Hillman Hunters were playing some of their originals, always a pleasure! Binkies was buzzing, well, Scotland had just beaten England in this year’s Six Nations Rugby Championship, I’m guessing quite a few folk were a few pints in already!

No, I didn’t go to the Handsome House Jam on Sunday evening, I stayed in with the telly. Mind, the video is out and the setlist looks very interesting, I shall have a watch at some point. It was a good night for telly, last episodes of His Dark Materials (god, I’d forgotten how sad the end is) and the utterly brilliant Happy Valley which, happily, finished perfectly! All the coffee shops and cafés in Hebden Bridge will be looking forward to another influx of tourists on the back of it.

The sun’s beckoning me, must head out. There’ll be clips of the bands up on my Instagram later, please do check them out. Cheerio!

The Black Diamond Express

Cheesecake with blues

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As weekends go, that was quite a good one. More frozen turkey bits from the Farmers Market (two wings this time, bloody big they are!); also treated myself to some baba ganoush from a relatively new stall which turned out to be seriously yummy. On my way home from the Market, the shop I popped in for a newspaper had Hagan Das Strawberry Cheesecake ice-cream on offer at £3.50!! Oh yes, another treat for my tum.

Plenty of musical delights as well (as previously anticipated) Bones, Rats and a Jam, a veritable cornucopia of rhythm and blues. The double helping of The Scat Rats was great, both in the early evening too, nice. It has occurred to me that the Rats were quite a highlight of last year for me; since their continental jaunts in the first half of the year Messrs Marah and Rough have played Stramash and Whistlebinkies plenty times in their Scat Rats guise – two voices, two guitars, great rhythm’n’blues, love’em!

Sunday evening saw the 100th Handsome House Jam at Stramash with host Tim Elliott, invited along as it was he who hosted the very first Handsome House Jam, nice touch. There were a few guest musicians joining the band on stage, including one of my favourites, Jed Potts. It was a cool, laidback evening, helped along by a couple of pints of Pentland IPA from Stewart’s, the current guest ale; it’s rather nice. I’ll put a couple of clips on my Instagram, for pics check out Waysted Photography on Facebook, he gets amazing shots at gigs around town; last night’s are up on Facebook now.

I’ll leave you with a still of Scott Rough clocking me filming The Scat Rats on Friday evening ….

Ridiculously Sublime

bruceonthefringe 2022, Live bands in Edinburgh, Logan's Close, Music in Edinburgh Tags: , , , , , , , Leave a comment

I may have been putting off writing this post, yeah, I have – what can I say about Monday and Tuesday evenings?! I thought leaving it a day might help, give time for my mind to form something. Nah, it’s still just a swirl, a very giddy, exhilarating swirl, I can give you single words, snippets, the set list. No, I can do slightly better than that.

It was sooo good to see Logan’s Close playing together again, and in Sneaky Pete’s, the first time there for the new line-up. I also clocked another new line-up within LC, Carl, Scott and Stu all have Gretschs, there’s a sweep across clip of the start of I Want You that I’ve stuck on Instagram. Yes, one of my favourite older numbers was included, very happy about that! Worked A Treat and Give It To Me made it in too, and, of course, Listen To Your Mother finished things off (ah, the first night Treat had the honour, due to time miscalculations).

Of course, some numbers I’m more used to hearing the stripped down Scat Rats versions, but don’t ask me which I prefer! Every version is perfect in its own sweet way; thinking about it, I’d love to hear a Rats version of Merry-go-round (pretty please?!), it’s a great song but there’s something it really reminds me of, something just out of reach in my head, argh! Oo, possibly a Monkees song, maybe.

Sneaky’s was packed out, bouncing along, it really is a great venue if a tad warm, as the lads always comment, but there’s a new marker as to how hot it’s getting – when Stu throws off his hat. SeanKeys was brilliant as ever, I reckon the second night he positioned his keyboard slightly differently to have more space to jump around.

Two nights of awesomeness, truly they were. Christmas come early! Scott’s voice just keeps getting better and better, and the harmonies, achingly good. Logan’s Close are so in sync with each other, so tight, yet loose, the combined energy, well, it grabs me to my core. The words, the music, the performance, ridiculously sublime! Okay, so I have always had huge, huge love for music that moves me (yes, I know it’s a tad odd, that’s just how I’m made), but nothing has ever grabbed me like the LC sound. Can’t wait for the album! Oh, my heartses!

Well, must go, need to eat and Potts & Smit will be starting in Whistlebinkies shortly. Coming up next time, a christmas shopping jaunt up to Bruntsfield and the odd snowman. I’ll leave you with a pic of Mr Rough from the end of Tuesday night ❤️

Spuds and Saints

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October already! Ah, but September ended on a couple of fine notes! First off, last Tuesday evening Fur were back in town, yay! This time at The Mash House, not a place I’ve seen a band at before, Fringe shows yes, in different rooms there. A friend said they weren’t keen on it as a music venue and having now been, I kinda get what they meant; not that there’s anything particularly bad about it, it’s just got no appeal. I will say that the bar there is quite nice and reasonably priced.

Fur were as brilliant as ever and the crowd were really up for it. I spotted Mr Rough across the room, so I moseyed over to say hi, and as there was a bit of breeze from a nearby air conditioning vent (very warm venue) I stayed on that side; there were also fewer giants in front of me there. It was a very fine gig but the announced last song was indeed the last song, no encores, no Can’t Help Falling in Love, the band were all there ready come back on except Murray, no one seemed to know where he’d gone! No sign of him, so the lights came up and that was that, an odd end (I gather he was not feeling well). Shame.

Friday I was all set for more music, even if I had to go over to Glasgow for it. It must be at least fifteen years or so since I last went through to Glasgow to see a band, I don’t know Glasgow at all – this was gonna be interesting. The venue was St Luke’s & The Winged Ox, the band The Strange Blue Dreams with support from Logan’s Close, yeah okay, so, it looked easy to get to and LC said they’d put me on their guest list, yay. I had a wee printed out map and the return bus times, knew how long it should take me to get back to Buchanan Street bus station (to be double checked with how long it took me to find St Luke’s). It turns out that St Luke’s & The Winged Ox is just past the Barrowlands, funny how many bits looked familiar as I went by; heading back afterwards I stuck to the same route, but had a strong recall of a drunken discussion between two friends I was with after a Barrowlands gig, about which was the best way back ( I just tailed along behind them praying we’d make it in time otherwise it was an hour til the next one).

Oh, I do like St Luke’s, it’s an old church that’s been converted into a space for live entertainment and other events, one with a three quarters round balcony and the old organ pipes are a magnificent backdrop for the stage. There’s still the old pulpit at the side of the stage which became a booth for DJs Anna and Holly to spin some fine pieces of vinyl, some seriously good taste there! The Winged Ox part of the name is the bar adjacent to the venue room, a good sized bar with a kitchen, so a convenient place to eat before a show; reasonable bar prices too, and a very nice IPA! (there is a little bar with limited choice in the venue, best to head to the full bar)

Now, the evening itself, wow, The Strange Blue Dreams, yep definitely on the strange side, haunting, intense, infectious, so many retro sounds going on, hints of forgotten tunes, glimpses of older times, smoky dance halls. The band are all dapperly dressed in keeping with their stylish sound; a sound and look perfect for a David Lynch film.

The gig was to celebrate the release of their second album Simple Machine, well reader, I was so impressed with their brand of rock’n’roll I just had to buy it (on cd), oh, and a copy of their first album too. If you’re on Spotify you can check them out.

Yes, now I’m getting round to Logan’s Close , so good to finally see the full band again. I noticed Scott went and changed into his stage attire, no scruffy Rat for this gig! Head attire for the evening was his heart-shaped sunglasses (Scott always has something on his head). Eleonora was first choice and they were off!

It was a short and sweet half hour set of deliciousness. Naturally they mentioned the album-in-waiting Heart-shaped Jacuzzi and played the title track; Dans Le Jardin was in there too. A couple or so escape me, but I do remember they played the now very familiar to me Gouching On The 33 and, of course, Babe Station, Hot Blondes In Your Area Tonight rounded off an excellent set.

I would have included a shot of Sean Keys, but as usual he was in a darker spot and the guy is never still for a second! My crappy phone camera is incapable of taking a decent photo of him. The drummer in the back was previous sticksman Alex, filling in for the evening as Gavin was away.

It was a great evening, even my trek back to the bus station was well-timed with just a few minutes to spare. After their set Carl was on merch stall duties, apparently because he was driving, so Scott was taking the opportunity to get bevied, no surprise there! I noticed the Live At Limbic TV CDs were getting some interest, as they should, an hour of juicy goodness for only a tenner? Bargain!

Not sure what they were up to when I took this!?

It’s very late, I’ll leave this here I think.

Toodle pip!